“Seth material” search engine (Jane Roberts)

On February 1, 1968, I sent Dreams to Doubleday on suggestion of Reverend Crosson. On February 16—(2 days after Valentine’s Day) they wrote a letter of rejection.

On February 28, 1968—I sent Dreams to McGraw Hill.

On April 2, 1968—I sent it to Prentice Hall

In view of what you say about the material we sent you, we see why a paragraph-by-paragraph rundown isn’t necessary; this is perfectly all right, and we thank you for your effort in going over the material, and the time you spent answering. [...] Jane’s experience in receiving the type of material we sent you is quite limited, and we have many questions.

One episode like the sessions we sent you, held after those, turned out quite well; another, involving California, didn’t, as far as we know. [...]

[...] Pat did take copies of the two sessions back to Roger Sullivan who sent us his opinions of them in later December. [...]

[...] We hadn’t sent him copies of Jane’s own notes.)

[...] These units are sent out indiscriminately by the various atoms and molecules, but portions of them are also directed by the overall rock consciousness. The units are sent out by the rock, informing the rock as to the nature of its changing environment: the angle of the sun and temperature changes, for example, as night falls; and even in the case of a rock, they change as the rock’s loosely called emotional tone changes. [...]

[...] The units meet with, and to some extent merge with, other units sent out, say, from foliage and all other objects. [...]

[...] Jane’s eyes were closed; she sat quite still.) I sent some energy to your member.

[...] I sent you considerable energy, and transposed a clear image of the perfect organ. [...]

(The envelope object for the 69th experiment was a colored postcard sent to us by Barbara Ingold, our neighbor who lives below us on the first floor. [...]

[...] This is a legitimate connection, since the image served to bring up the idea of Barbara, who sent us the card used as object.

[...] That card was sent to us by Leonard Yaudes, who also lives in the apartment house. [...]

[...] The teacher data above may refer to the 67th envelope experiment in the 279th session; for in that session the object was a postcard sent to us by Leonard Yaudes, who is a teacher.

[...] Some believe that suffering is a punishment sent by God for past or present sins, or even omissions, while other religious schools insist that suffering is sent by God as evidence of his particular love for the individual involved: “God must love you very much, because he sent you so much suffering.” [...]

Here are some observations on the medications you sent for Jane’s blue finger, and the ulcer. [...]

Of course we wondered if her taking the medication you sent had anything to do with the little finger’s response. [...]

[...] In the meantime, the copyedited manuscript for Emir arrived on the 18th, sent to us by Eleanor Friede at Delacorte Press; and since Emir is a short book, we were able to go over it during one evening and get it in the mail back to Eleanor late the next day. I sent Psyche to Tam Mossman at Prentice-Hall on the 22nd, and on the same day we received from him the page proofs for Seven Two. [...]

(A copy of the above material has been sent to John Pitre. [...]

[...] You may then add it at the end of your own copies, but I suggest that you do not add it to the session that is sent, you see.

[...] I believe that the wife’s mother will die first, but I do not want this sent to the son-in-law. [...]

[...] The earlier data mentioning an event only may be sent.

[...] He’d sent some home-canned jars of fruits and vegetables at Christmas time; for the past year he’d also written a string of long letters signed “me,” meaning I couldn’t answer him to say thanks for the stuff. [...]

(With an early letter he’d sent some photos of himself, and asked that they be returned. [...]

[...] It turned out that the Helen Park who had written had read Maude’s article in Reality Change, and sent the check to Sue to forward to us, to make sure we’d get it safely. [...]

This information to be sent by you in the dream state. [...] There will be some difficulties here however, since the information, if legitimately sent, will be picked up by the individual in his own dreams, and therefore may escape detection. [...]

The action performed within the dream; the location; the lack of specific location; the time in which the dream appears to occur; the apparent movements through time within any given dream; the emotional content; the surface psychological content; the work done within the dream; the familiar persons spoken to; the unfamiliar persons spoken to; the relation of the dream to past events and to events immediately preceding sleep; the dream events in relation to future events; messages that are given or sent in sleep.

[...] Either then, or the communication was sent yesterday.

These units are sent out indiscriminately by the various atoms and molecules, but portions of them are also directed by the overall rock consciousness. The units are sent out then from the rock, informing the rock as to the nature of its changing environment, the angle of the sun, and temperature changes for example as night falls; and even in the case of a rock, they change as the rock’s loosely called emotional tone changes. [...]

[...] The units meet with, and to some extent merge with, other units sent out, say, from foliage and all other objects. [...]

(“What do you think of the book?” Jane sent the first 13 chapters of The Seth Material to the publisher Monday, October 13.)

This reassembled ego then attempts to perceive these concepts in terms of sense perceptions, which are sent as communications to the physical individual at the other end. [...]

A note was sent, I believe, concerning the object.

[...] His answer was that a note was sent, presumably to our neighbor across the hall, Leonard Yaudes, concerning the object. [...]

[...] I was wondering if her use of the word script was a reference to the note sent in connection with the object, but Jane said no. [...]

(3:14 — Read Jane letters sent by Maude Cardwell.

[...] The photographs referred to are those sent to us a few days ago by John Eulenberg, from Michigan. [...]

[...] I sent Bernier a book list. [...]

[...] He’s been doing such speaking in trance since the early 1970’s. The literature a fan sent us last week made it seem that the medium claimed to be speaking for Jane’s Seth. [...]

(Jane was angered by this material [the second batch; I’d already sent Tam the first communication, asking for his help], and decided to call the medium, Thomas Massari, since a number was listed. [...]

These projections, then, actually are sent out constantly. [...]

(Pause at 10:30.) Think again about this form that you sent to the oceanside. [...]

Now: You are, using an analogy again, sent out by a superself who strongly desired existence in physical form. [...]

[...] I believe this is a reference to the letter Bill Ward sent me with the art work I received Sunday, October 23. [...] Also keep in mind that the bill used as object represents pencils and paper stumps I bought in order to finish the job Bill sent to me.

[...] Another reference to the work Bill Ward sent to me. [...]

(The connections with washings and the art comes about because on the first two pages of the comic story sent to me by Bill Ward, the heroine is shown taking a shower, using a towel, etc. [...]

[...] It appears that the above is another reference to the art work Bill Ward sent me, since it contains grays done in pencil as well as black ink; the grays can easily look metallic when a certain density is reached, for the graphite in the pencils acquires a dull sheen, similar to an aluminum look.

(As stated on page 21, Barbara did take her own daughter, Lisa, to visit Story Book Land, the subject of the postcard sent to us by Barbara, and used as the object in the 69th experiment. [...]