Books:
TSM,
SS,
NoPR,
UR1 2,
NotP,
NoME,
TMA,
DEaVF1 2,
SDPC,
WTH,
TES1 2 3 4 5 6 7 8 9,
TPS 1 2 3 4 5 6 7,
ECS 1 2 3 4,
✖
Results 81 to 100 of 135 for stemmed:sensit
►
TES7 Session 320 February 20, 1967
compulsive
pamper
token
denial
sweaters
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 320 February 20, 1967 9 PM Monday
[...]
Ruburt’s particular personality can also find refreshment at his job; as the earlier, still somewhat lingering but largely vanishing sensitivity vanishes, it can be a source of refreshment.
[...]
►
UR2 Section 6: Session 730 January 15, 1975
fetus
dolphins
soul
selfhood
astrology
– The "Unknown" Reality: Volume Two
– © 2012 Laurel Davies-Butts
– Section 6: Reincarnation and Counterparts: The “Past” Seen Through the Mosaics of Consciousness
– Session 730: More on Astrology. Natural Abortions. The Consciousnesses of Dolphins and Other Creatures
– Session 730 January 15, 1975 9:17 P.M. Wednesday
[...]
They are sensitive, self-aware individuals.
[...]
►
TES2 Session 73 July 22, 1964
Pipers
constructions
chair
seed
depth
– The Early Sessions: Book 2 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 73 July 22, 1964 9 PM Wednesday as Scheduled
[...]
It is sensitive however to panic and fear, and, affecting other glands working with inner subconscious mechanisms, it becomes overly stimulated and causes subconscious mechanisms to actually create, in matter, the object of the fears which have themselves caused the initial overaction.
►
DEaVF2 Chapter 7: Session 910, April 23, 1980
genetic
mice
thymus
research
idiots
– Dreams, "Evolution", and Value Fulfillment: Volume Two
– © 2012 Laurel Davies-Butts
– Chapter 7: Genetics and Reincarnation. Gifts and “Liabilities.” The Vast Sweep of the Genetic and Reincarnational Scales. The Gifted and the Handicapped
– Session 910, April 23, 1980 9:06 P.M. Wednesday
[...]
[Indeed, these animals are so sensitive to disease of any kind that they must be raised under sterile conditions.] Jane was very upset by the article and mentioned it to me several times.1
►
TPS6 Deleted Session December 1, 1981
re
ll
asleep
conflict
delays
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session December 1, 1981 9:45 PM Tuesday
[...]
It’s also that I think many things are left unsaid or unexplored in the sessions, probably because they are sensitive to Jane or she may block them on unconscious levels.
[...]
►
NoPR Part Two: Chapter 11: Session 645, March 5, 1973
core
bridge
beliefs
invisible
sensual
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 11: The Conscious Mind as the Carrier of Beliefs. Your Beliefs in Relation to Health and Satisfaction
– Session 645, March 5, 1973 9:40 P.M. Monday
[...]
So this evening the senses were allowed their freedom, but the experience was magnified by his psychic sensitivity.
►
TPS3 Deleted Session May 1, 1975
hostile
cultural
gallantry
codicils
temperamentally
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session May 1, 1975 9:32 PM Thursday
[...]
You (pointing to me) do not believe that nature is hostile, nor does Ruburt, but you both accept the concept that there are hostile elements against which you must protect yourselves, and that the artist or writer, or any sensitive wise person is at a great disadvantage against a system in which he is born, and that he is to some extent at its mercy.
►
TPS3 Deleted Session January 30, 1974
sportsman
contribution
financial
specialized
painting
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session January 30, 1974 9:31 PM Wednesday
Prentice represented, to you (me), the world you had to protect yourself from, and be on guard against in the business world that had never understood your father—the unartistic, ever out to ruin the artistic product through ignorance, and lack of sensitivity.