“Seth material” search engine (Jane Roberts)

(11:15.) In your reality it seems only practical and sane to accept the evidence of your senses. [...]

[...] Ruburt however, sensing some improvement, wanted instant, complete recovery, and while he handled this better than in the past, tell him, nevertheless at his end he used absolutes again. [...]

First of all, (to me) do not lose your sense of perspective, that larger perspective, that our work should give you. [...]

[...] In certain conditions however, the inner self, abandoning its usual reliance upon the physical senses, is aware of these periods that would seem to you to be negations.

Puberty comes at a certain time, triggered by deep mechanisms that are related to the state of the natural world, the condition of the species, and those cultural beliefs that in a certain sense you transpose upon the natural world. [...]

[...] The taboos include most aspects of the sense of touch in connection with the human body.

The inner ego is quite capable of dealing with both types of experience, and it is of course to this inner ego that your own suggestions will make sense, and be acted upon.

(9:27.) Your evolutionary science, combined with your psychologists, so served to rob men and women of a sense of dignity and meaning that their problems and difficulties were in a way depersonalized. [...]

[...] In an important sense, Ruburt’s abilities as a writer found their forte. [...]

[...] The data given here makes sense to John, and this is our concern at the moment.

[...] They spend time searching for their soul mates — but the search involves them in a pilgrimage for a kind of impossible communication with another, in which all division is lost, with the two then trying to join in a cementing oneness, suffocating all sense of play or creativity. [...]

[...] Yet each is supported through a common sense of belonging, so that the group sometimes seems to have its own overall identity, in which each member plays a part. [...]

In the matter of publishing, or selling paintings, others are involved—others who very rarely in their lives experience that important encounter between, say, the self as actualized and the idealized sensed self, between the painting or the poem as an ideal and the actualization of that ideal. [...]

[...] The failure adds to the sense of guilt.

Yet as you know, none of this is meant to give a sense of futility, for uniqueness brings its own responsibility.

[...] This generates a sense of disapproval, of course. [...]

[...] Therefore they will help make him more observable in sense terms to you.

[...] Both involved communication with the public—a sense of responsibility—which we now know to be a source of constant tension for her. [...]

(I have for some time thought that Jane needed to sell her writings as a means of justifying her life—whether these writings were her best work was, in that sense, immaterial; she couldn’t possibly wait until her writing was a polished art before beginning to market it. [...]

These feelings were also based upon youthful feelings, that a woman’s biology could be a threat to a writer, so there was a base there that made a certain sense to Ruburt.

Now it does no good to say that the other person should have more sense then to be affected, for usually the other person has their problem because of the same kind of reaction. [...]