“Seth material” search engine (Jane Roberts)

[...] For that reason he seldom finds a strong sense of stability within himself, for he is pulled from one direction to the other.

An inability to face or admit, or solve, physical problems, can also be reflected in the physical condition, and reactivate earlier sensitivities, leading to a sense of hopelessness. [...]

You should both have learned enough by now however to sense the psychic vitality or atmosphere of a dwelling. [...]

[...] This time he also called out each paragraph as he went along, and some of the other punctuation; to show Seth’s own sense of organization on such occasions, I’ve left a few of his instructions in place in the first three paragraphs.)

Ruburt sensed one in particular, and did indeed react in a manner that you found annoying. [...]

[...] Ruburt sensed this, and if his own abilities had not been so strong, Ruburt would have ended up in a most unfortunate situation; for he attempted, for a time, to counter the wholesale destructive tendencies open in your house.

[...] It would not make sense to you.

[...] The same problem arises with dreams, with material on the inner senses, etc. [...]

([Bill:] “Do you mean a circular in the graphic sense, or in the Sears or Montgomery Ward sense?”)

(He had lots of energy, which I could sense, but seemed to me to be contradictory in many ways, and I took him up on several points. [...]

[...] I cannot impress upon you too much, however, the importance of those early sessions on the Magical Approach, for they will make even more sense to you now after the hospital experience. [...]

It begins with the sense of unworthiness mentioned often, but it led to a pattern of behavior where he began to hold his breath, so to speak, tense the muscles in self-protection. [...]

[...] One is through the realization that this prime moving force is within everything that you can perceive with your senses. [...]

[...] Their sense of time is completely different. [...]

[...] Yet through all of this immense, continuous creation, there is always a personal sense of continuity: You never really lose your way in the distance between one moment and the next —

(Long pause, one of several, at 8:31.) This is particularly pertinent in his feelings concerning the jaw and neck, and the eye connection and his sense of balance (all items Jane has mentioned often recently). [...]

[...] Now if you would change an individual, change your thoughts toward him, and changes will appear in the sense data world.

[...] The paintings that you will paint do exist, because you have in one sense the potential to create them. [...]

[...] Some thought they sensed someone. [...]

[...] You have formed these bodies with senses that react only within this perspective. [...]

[...] Now when he feels a sense of exhilaration—he knows the subjective feeling I refer to—then have him direct it, that energy, to his arms. [...]

[...] The illusion of rigidity is the result of your own outer senses, a perception which is too slow to catch the constant pulsations, as bits of energy that compose material constantly disappear entirely and are replaced.