“Seth material” search engine (Jane Roberts)

[...] Now for once you should rationally feel free in your painting time to paint, released from all requirements of buying or selling. [...]

[...] They have even, at times, kept the books in print that were selling poorly for a period, though this did not obviously apply to Seven. [...]

[...] It was this fright that prevented him from finishing all of those projects he began, or from selling them.

(In the 104th session, Seth said that Jane would sell some of the short stories from the group she was working on at the time of the session. [...]

[...] She’s selling her home and leaving the valley; she has a painting I gave her years ago that she wants me to have back, so Jane and I will probably make the trip to Athens, PA this Sunday. [...]

You would not quit anyway, so I created a book that would not sell. [...]

Rich Bed will sell. [...]

[...] If you think you are being reasonable by looking for a lesser house, that seems more within your means, then you are selling yourself short, lacking the trust that more will be given. [...]

[...] A fan (Larry), here from Pennsylvania, says he has a new 2nd job — in grocery chain convenient market (that sells basics — nothing fancy; eggs, milk, beer, etc.). [...]

[...] When the natural freely creative energies were aroused in you, you instantly dispensed with all ideas of a commercial market, and completely divorced the idea of painting from selling for the reasons given.

(I believe that here Seth talks about predictions given some time ago that the dream book would sell; but I didn’t interrupt the session to check.)

[...] John also agreed with Seth that only two other salesman are selling well in the division. [...]

([John:] “Can you tell me about the other man in my division who’s selling well, besides Bill Driscoll?”)

[...] Indeed, I now have two advance orders for work not yet finished; this is the first time I have been in such a pleasant position, as far as selling paintings goes.)

Ruburt began to feel a pressure as the books became better known to carry out a kind of responsibility, not simply to sell books, for example, but to get the message out into the world, to help others—all considerations that seemed to be—he thought—the acceptance of adult behavior on his part: actions that would be more or less expected of him. [...]

[...] You did not want to sell your paintings because you did not want that much direct contact with that society or marketplace (intently).

[...] Rembrandt did do business with a wealthy art collector in Sicily, selling him some very famous works—Aristotle Contemplating the Bust of Homer, etc., and a series of etchings late in life. [...]

[...] It might be farce, from the publisher’s viewpoint, but they could sell it, and they would know how to advertise it.

[...] Suitable instructions given to the subconscious that the original book will sell well and be accepted. [...]

[...] You felt your territory threatened as soon as the parking lot was thought of, and earlier when Spaziani first thought of selling the place.

[...] They will sell continually through the years, and the readership will grow. [...]