“Seth material” search engine (Jane Roberts)

[...] While focused within that living scene you can learn to travel through it, leaving the “surface” picture intact and whole. [...]

In your terms, Ruburt has been out for the real thing — to experience the unknown reality directly through his own perceptions, as divorced from the scenes given him by the postcards. [...]

[...] Perhaps in their room there is a rather elaborate lamp on a table that depicts a scene, that glows when it is lit.

[...] (Pause.) A connection with an afternoon scene, perhaps your parents, Joseph, and an automobile.

Consciously you react to the physical data — the noise, the squeal of brakes perhaps, the visual shock of seeing the car so close, but the entire inner reality of that scene or event is instantly “recognized” by what I refer to as your inner senses. [...]

[...] The scene was very faint, so much so that it might almost be called more of an idea than an image. [...]

“Now the scene changed, as one might change a slide in a projector. [...]

[...] This scene was also at night.

[...] Remembered faces of those you have known, and remembered scenes from other existences, form the nucleus of your experience; the forms that you bring, seemingly out of nothing, into actuality. [...]

[...] When you take a walk, you usually think of walking through nature, not realizing that you are a part of the scene through which you walk. [...]

[...] Many of the scenes, filmed on location about the Mediterranean area, were very evocative to us.)

What you simply need is a change of scene. [...]

[...] There were scenes within the mirrors, and people moving about. I rushed through a series of such scenes. [...]

[...] Everyone acting in that scene would view the hat and the table, and react accordingly with their own individual characteristics.

Give us a moment … The hat on the table, while possessing all of the necessary paraphernalia of reality for that scene, might also, however, serve as a different kind of reference point for one of the other programs simultaneously occurring. [...]

[...] Perhaps with a water scene on it, or from a location by water.

[...] Perhaps with a water scene on it, or from a location by water.” [...]

[...] Framework 2 includes all of the creative work behind the scenes, and your desire brings all of the necessary events together.

[...] That is, the books will have a strong active part to play over the period of your lifetimes, rather than for example selling in the millions in a year or two, then vanishing from the scene.

[...] It is sometimes easier to choose an unfamiliar location, however, for then you are not tempted to test yourself as you go along by wondering whether or not the imagined scenes conform to your memory.

The energy that was liberated has already changed your national scene, and will continue to do so. [...]

[...] I thought about doing another painting of the scene; I hadn’t done any painting in months. [...]

[...] To one extent or another this applies to every field of endeavor as each person adds to the world scene, and as the intents of each individual, added to those of each other person alive, multiply — so that the fulfillment of the individual results in the accomplishments of your world.³ And the lack of fulfillment of course produces those lacks that are also so apparent.

[...] Beside this, a man — not a driver — was killed by an emergency vehicle speeding to the scene. [...]

Look at the scenes outside your window in this light. [...]