“Seth material” search engine (Jane Roberts)

[...] I do not know to what this refers (Jane shook her head) and with objects in a row, or a series, perhaps of numbers.

(“and with objects in a row, or a series, perhaps of numbers.” [...]

[...] (Pause.) He had one job, in what seems to be a factory location, in a rather dark environment, with rows of what I assume to be machinery and large windows, treated so that the sunlight did not shine through brightly.

[...] When you finally do both go out, at the most two or three times in a row, something happens. [...]

[...] There is a boy in a third or fourth seat, back from the front in the left row, toward the wall. [...]

(After this I saw, as though in the distance, a group of small gleaming knives, carefully arranged in two parallel rows. [...]

Three children in a kitchen, sitting in a row, in her past, and she is one of them. [...]

[...] (Pause.) His seat three to five seats from an aisle, nearly but not quite in the center of a row of seats.

[...] On the other hand when several sessions in a row, regular sessions, are witnessed, then of course I grow impatient because I am anxious to get back to our own material, which is stressed when we are alone.

[...] In addition Jane and I, with the Gallaghers, sat in the second row and thus felt the full force of the performance.

[...] It was a rectangular room, lined with tables and chairs in rows. [...]

(The row of old buildings on West Water Street has been in for much discussion recently, as eyesores, etc. [...]

[...] On the partial copy attached to page 104 I penned in the row of numbers representing the date after the session. [...]

[...] Your mother has been a female now twice in a row, and is ill at ease, and will do much better as a male. [...]

A succession of numbers in a row, backwards, as of 10, 9, et cetera.

[...] I looked down on her as she sunned herself, my viewpoint being the back row of the studio windows on the second story. [...]

[...] There are four rows of these.

(May 6: Glimpse of triangular piece of costume jewelry, pewter in color, open in center, three sides of triangle set with rows of fake colorless “stones.” [...]

[...] I had decided to forget the envelope test unless Seth asked for it, for it would make three tests in a row.

[...] Briefly through those eyes I looked out upon twin rows of galley slaves … I described the scene and my feelings about it to Jane, and made small, full-face and profile pen-and-ink drawings of myself as the officer. [...]

[...] For Chapter 19 of Politics (which is to be published in 1976) Jane transcribed from her library, in part: “If you imagine the official numbers 1 to 10 in a row, then there would be an infinite number of unofficial 1’s hidden in the 1 you saw, and an infinite number of spaces between the official 1 and 2. The position of the 1 on the paper would represent our sense-data world, while the invisible 1’s behind the official 1 would represent the official 1’s hidden values and infinite probabilities.”