“Seth material” search engine (Jane Roberts)

[...] There in Framework 2 the nature of the psyche appears quite clearly, so that its sweeps and rhythms can be understood. The manifestations of physical energy follow emotional rhythms that cannot be ascertained with gadgets or instruments, however fine.

There are, also, natural rhythms, as I have mentioned, and it is understandable enough to take breaks now and then whether or not you even understand why you want them. When you are concentrating upon responsibility, however, then each lapse becomes a lapse from responsible action, and complicates the inner spontaneous rhythm that to a large degree is automatically maintained. [...]

Such concentrated periods of activity follow their own patterns and rhythms, and you need rest from them. [...] There are rhythms in your own personalities, quite natural, that flow together, then somewhat apart, and together again. [...]

Now, I may nor may not return, again according to those rhythms of which I speak — but know that I am present and approachable.

[...] Now I may or may not return, again according to those rhythms of which I speak, but know that I am present and approachable.

There are rhythms he is following, periods of muscular release, in which first he feels somewhat lethargic. [...]

[...] It’s possible, I speculated, that the very sound and rhythm of her footsteps helped trigger my conscious realization of the call from Steve.

Now, I may or may not return, again according to those rhythms of which I speak — but know that I am present and approachable.

[...] If natural rhythms were followed the greatest amounts of physical work would be produced to the greatest benefit for society at large. [...]

You cannot consistently ignore your own rhythms and expect your best performance. [...]

[...] Spontaneity itself has its own rhythm, with needed periods of rest that follow naturally. These natural rhythms are disrupted when such tampering occurs.

I may or may not return again, according to those rhythms of which I have spoken—but I do want to mention that the psychic structure we have formed strengthens not only each day but each moment, and again, I am present whether or not I am speaking. [...]

I may or may not return, according to those rhythms of which I speak, but know again that I am present and approachable.

I may or may not return, again according to those rhythms of which I speak — but know that I am present and approachable.

I may or may not return, again according to those rhythms of which I speak — but again, know that I am present and approachable.

[...] Bill had lost a shoe during his act, and had stopped performing out of frustration, his rhythm interrupted. [...]

Riding the creative energies in that manner, you see, would allow him to recognize his own rhythm, flow and ebb. [...]

[...] In a weekly period, for example (rather than a daily one), these suggestions if followed will show him his own rhythms and patterns, so that he may feel like going out impulsively because he wants to, after a bout of writing, rather than feel that he “should.”

(The book Jane referred to is a compendium of experiments with animal and human biological rhythms. [...] We think Seth is continually offering larger insights into such rhythms. [...]

I may or may not return, according to those rhythms of which I speak, but know that I am present and approachable.

Now I may or may not return, again according to those rhythms of which I speak, but know that I am present and approachable.

(She lay back upon her bed and pillow, half crying at times, speaking with a choked voice often, and once again with a different rhythm — one broken by long pauses every few words, as yesterday.)

I may or may not return, according to those rhythms of which I speak—those same rhythms that motivated the ease of your paintings in your dream. [...]