“Seth material” search engine (Jane Roberts)

[...] Some of its effectiveness has to do with the synchronization of its rhythms with bodily rhythm. [...]

[...] One very small aspect of a cordella is sized upon and (in quotes) “frozen,” so to speak, its ordinary motion and the rhythm of its changes therefore unrecognized. [...]

[...] And I may or may not return, again according to those energies and rhythms that I have mentioned earlier. [...]

Once again I bid you a fond good afternoon—and once again I may or may not return, according to those rhythms I have noted. [...]

[...] Now Jane’s feet and ankles began to move in rhythm—just as though she were pedaling a bicycle, she said—and as she grunted and groaned with the effort the feet began to easily move the fastest I’ve seen them do yet. [...]

[...] Though I may or may not return, according to those rhythms of which I have spoken. [...]

[...] Jane began a series of motions again, her left leg going sideways, her head in rhythm also. [...]

[...] I may or may not return, according to those rhythms of which I have been speaking—yet again, in any case I am indeed present. [...]

Now I may or may not return, again according to those rhythms of which I speak, but know that I am present and approachable.

[...] It also represents his growing faith in his own psychic vision, and hence his return to his own natural rhythms and motion.

You have a sense of rhythm, and more conventional musical knowledge than Ruburt, yet rhythmic patterns are very strongly in his makeup, and appeared earlier, silently so to speak in his poetry. The rhythm represented the smooth mobility of the emotions, the ever-moving quality. [...]

Ruburt’s proficiency with rhythm and words and your proficiency with visual symbols will be put to use therefore. [...]

I may or may not return, according to those rhythms of which I have spoken, and again, in any case, the session continues at other levels of your being. [...]

I may or may not return, according to those rhythms of which I have spoken. [...]

There is something here we will discuss at a later date, concerning the rhythms within these sessions, for they follow certain inner rhythms of activity, and I am always concerned that we use these to advantage. [...]

[...] He should follow the rhythms of his own creativity without being overly concerned with the time. [...]

[...] The relaxation periods follow a certain rhythm that is temperamentally suitable as well. [...]

[...] Her left foot moved in rhythm. [...]

Now I may or may not return, according to those rhythms of which I speak, but I am present and approachable. [...]

[...] It is true —the psyche is not restrained by time, yet there are rhythms in which each psyche is involved. [...]

[...] It meant that you understood yourselves and the temper of the times, and understood the rhythms of your own growth, even if consciously you may have railed against the conditions and poor sales.

[...] The “secrets” of languages are not to be found, then, in the available sounds, accents, root words or syllables, but in the rhythms between the words; the pauses and hesitations; the flow with which the words are put together, and the unsaid inferences that connect verbal and visual data.

[...] Neurologically he became familiar to some extent with the stuff beneath language, the inner rhythms unexpressed, and felt the odd connections that exist between words and your sense of time. [...]

A very good sense of rhythm (pause), but a great difficulty in communicating with words, a verbal incapacity. You could compensate for this however strongly enough (pause), in your occupation, in that when words were mixed with music you followed the rhythm and could speak clearly and well.

(After session Eve verified her stated love of music & rhythm by Seth, etc.

[...] They are momentary—or at least having expressed themselves in a certain rhythm they then give way to other positive experience. [...]

[...] Ruburt’s own inspiration operates with its own rhythms: his Stonehenge poem, or whatever. [...]

[...] This MAY result in spurts of fairly great rhythm of such things. [...]

Some people may have a stronger or weaker sex drive than others, and yet that drive is a strong part of any individual’s natural rhythm. [...]

[...] You both insist upon applying quite intellectual concepts to creative work, and ignoring Ruburt’s natural rhythms. [...] It follows his natural rhythms. [...]

[...] It involves the rhythm of the seasons — the days and nights and tides and so forth. [...] That is, to this natural rhythm you have culturally added the idea of clocks, moments and hours and so forth, which you have transposed over nature’s rhythms.

I may or may not return, again according to those rhythms of which I speak, but know I am present and approachable.