“Seth material” search engine (Jane Roberts)

I may or may not return, according to that rhythm of which I have spoken—but know that I am available. [...]

[...] Have Ruburt remind himself again that it is safe to let go, and trust his own spontaneous rhythms, his own motion.

Now I may or may not return, again according to those rhythms of which I speak — but know that I am present and approachable.

[...] I may or may not return, according to those rhythms of which I speak. [...]

I may or may not return, according to those rhythms of which I have been speaking, but I wanted to say what I have just said, and I congratulate you both. [...]

I may or may not return once more, according to those rhythms I have mentioned. [...]

[...] I may or may not return, again according to those rhythms of which I speak, but I am always approachable for help or questions. [...]

I may or may not return, again according to those rhythms of which I speak — but know that I am present and approachable.

I may or may not return, again according to those rhythms of which I speak — but know that I am present and approachable. [...]

[...] Instead, of course, there are gradations of behavior, and patterns or rhythms in your lives that would naturally flow one into the other, released from the artificial polarities. [...]

[...] The body adjusts its rhythms in a quite healthy manner to your activities, and without polarized habits of thought, periods of deep creativity will automatically be followed by periods of walking, natural exercise of one kind or another, in which subjective thought and body motion are synchronized.

[...] There is also a rhythm at this level however, and such a basic feeling-tone will also of itself change into another. [...]

[...] The books will fall into their own rhythm overall in our sessions. [...]

Sometimes they rise to the surface, but in great long rhythms. [...]

If you have become afraid of emotion or the expression of feeling, or if you have been taught that the inner self is no more than a repository of uncivilized impulses, then you may have the habit of denying this deep rhythm. [...]

At various times your own energies change their rhythm. [...]

[...] The right hand held a club or truncheon; the right arm rose and fell regularly, although the rhythm was not rapid. [...]

[...] Again according to those rhythms of which I have spoken. [...]

I may or may not return, according to those rhythms I have been speaking of. [...]

We want to devote ourself now to some motion exercises, and I may or may not return, again according to those rhythms of which I so often speak. [...]

I may or may not return, again according to those rhythms of which I speak, and it is indeed a good idea, as you know, to review our sessions. [...]

[...] For the poet did not simply string words together, but sent out a syntax of consciousness, using rhythm and the voice, rhyme and refrain, as methods to form steps up which his own consciousness could rush. [...]

[...] This time, also, however, her delivery varied in a strange way, seeming to ride rhythms of emotion and resolve by turn. [...]

[...] I may or may not return, according to those rhythms of which I speak—but know that I am present and approachable.