“Seth material” search engine (Jane Roberts)

[...] Where Seth asked for quotes, we have used double quotes; otherwise, where the meaning seems to call for them, single quotation marks are used. [...]

[...] So far you have had little experience with these other “centers”—you may put that in quotation marks—but before too long we shall give you some ideas so that you may become at least slightly acquainted. [...]

8. See the quotations from Seth about the moment point in Note 11 for Appendix 12. [...]

[...] Here’s a small quotation from it, dealing with part of a vision “James” had following his physical death:

[...] She also considered Seth Two in various other parts of Adventures. In Chapter 2, for instance, the Seth Two quotations are cast in the editorial “we,” the guise in which that energy gestalt often comes through: “We are trying to appreciate the nature of your present existence … For you there may seem to be an unbearable loneliness, because you are so used to relating to the warm victory of the flesh, and [here] there is no physical being … Yet beyond and within that isolation is a point of light that is consciousness. [...]

[...] The appendix, however kept growing as I worked on it; I found myself adding quotations from other sessions, along with comments derived from my own reading and from conversations Jane and I had on the subject.

[...] As noted with the quotations given in Note 13, eventually this material will be published in its entirety as part of a Seth book; perhaps then it can be used as a guide for the sort of investigation just mentioned. [...]

[...] He came through with the following quotations when Jane began to express a renewed concern about her responsibility for his material, and for the reactions of others to it. [...]

In more specific terms, I’m organizing this rather short exploration of Jane’s death around these items; a loose chronology surrounding her writing of Seth, Dreams … in 1966-67, and our unsuccessful attempts to sell the book; my acceptance of the survival of the personality after physical death; a waking experience involving my sensing Jane very soon after she had died; a metaphor I created for her death; a dream in which I not only contacted her but gave myself relevant information; another metaphor for Jane’s death; my speculations about communication among entities, whether they’re physical or nonphysical; a letter that could be from the discarnate Jane — one that was sent to me by its recipient, a caring correspondent whom I’ll call Valerie Wood; a note I wrote to Sue Watkins about the death of her mother; some quotations from a published letter of mine; Jane’s notes concerning the relationship we had; and, finally, the poem in which she refers to her nonphysical journeys to come.

[...] Such life clouds “still” exist—and you had better put the word “still” in quotations. [...]

[...] This is the last major stage we’re concerned with before a book is printed, other than okaying routine components like frontmatter proofs—meaning the table of contents, dedications, quotations from Seth and Jane, and so forth—and the index.