“Seth material” search engine (Jane Roberts)

[...] Jane didn’t get any pyramid feeling, though.)

[...] It has its own particular place within the Pyramid Gestalt. [...]

[...] The structures also represented neat pyramids of thought that were bright, shiny, smooth and prefabricated in a way. [...]

[...] (Pause.) We will also be developing the God concept in terms of my choosing (amused), the pyramid-consciousness gestalts of which I have spoken in the past. [...]

[...] Most of that material hasn’t been published, although in Chapter 17 of The Seth Material Jane described Seth Two to some extent, including “his, hers, or its” intimate connections with Seth: the subjective pyramid or cone effects she experiences just above her head when contacting Seth Two; and the great energy she feels at such times. [...]

[...] Then not long before the session was due she became aware to some extent of her pyramid sensation, meaning that Seth Two, or possibly a variation of that personality gestalt, was around. [...]

[...] The pyramids of psychic gestalts of which I have spoken represent in your terms all beginnings and all endings, which again expand into new beginnings and new forms.

[...] As we sat in the living room, which was very clean and neat, and well lit now since darkness was falling, Jane said she felt a sort of pyramid or cone effect, directed at me as I sat across the room from her in the rocker.

[...] The Seth Two experience would be an even greater acceleration of this speed, reached at the point of the pyramid effect Jane describes.

(Before the session Jane did not sense the pyramid or cone effect, as she usually does when Seth’s entity is to speak. [...]

[...] THE BUILDINGS YOU SAW WERE NOT PYRAMIDS BUT THE RUINS OF MONASTERIES IN THE DISTANCE.

If you will remember what I have said about the way in which the universe expands, that has nothing to do with space, then you may perhaps perceive, though dimly, the existence of a psychic pyramid of interrelated, everexpanding consciousness that creates simultaneously and instantaneously universes and individuals that are given, through the gifts of personal perspectives, duration, intelligence, psychic comprehension, and eternal validity.

[...] Jane didn’t get any pyramid feeling though. [...]

[...] These men now below the main structure, attempt to influence those of whom I have spoken, but here we have a wheel rather than a pyramid or triangle, for there is little agreement even among those directly involved.

[...] And the entity, and even God himself—pyramid gestalts—must be involved in surprise and new creations. [...]

The pyramids, the huge boulders etched out (I think Seth refers here to Baalbek; I didn’t interrupt to ask), all of this was done in one way or another through the use of, a knowledge of, both coordination points in space (described by Seth in his own book) and the use of sound. [...]

(As we sat waiting at 9:32, Jane reported that she was getting her “pyramid” or “cone” effect. [...]

The next chapter will relate what experience I have had in all my existences with those “pyramid gestalts” of which I speak in the material, and about my own relationship with the personality you call Seth Two, and with multidimensional consciousnesses far more evolved than I.

(She enjoyed the exchange a great deal, she made sketches while speaking on such subjects as the many facets of the electron and its behavior; time and its variations; gravity, its changes with motion, and its attributes in the past, present, and future; the velocities of light; mathematical equations; astronomy, including perceptions by telescope of the future as well as of the past; the structure of the earth’s core; earthquakes and “black” sound/light; language, including glossolalia and her own Sumari; pyramids, coordination points, and so forth. [...]

[...] Space itself already speaks of a creation “begun,” for no matter how empty space may seem to be it simply appears like a vast cathedral, or tent or pyramid of form, for the moment perhaps vacant inside, with walls so distant that they go unperceived.