“Seth material” search engine (Jane Roberts)

It seemed that he could step from any one such existence to the other as you might walk from one room to the other, and he knew that at other levels of the psyche this was indeed possible—and, of course, at other levels of the psyche those psychological doors are open.

[...] To me those dreams were messages of encouragement not only from her own psyche, but from that certain other version of herself that I referred to in Note 2 for this session. [...]

[...] So-called present time is thickened, then, by a psychological realization on deep levels of the psyche that all events are interrelated, and that the reincarnational experiences of any given individual provide a rich source of experience from which each person at least unconsciously draws.

[...] Consider art as a natural phenomenon constructed by the psyche, a transspecies of perception and consciousness that changes, enlarges and expands life’s experiences and casts them in a different light, offering new opportunities for creating action and new solutions to problems by inserting new, original data.

[...] When you hear him (Rob) speak, his words are the magical signatures of the psyche, materialized in certain ways within this moment as you understand a time, and precious and a joy to hear. [...]

[...] So can tears refresh the land of your psyche. [...]

[...] You have grown sophisticated enough to realize that the Devil is a projection of your own psyche, but you have not grown wise enough to learn how to use your creativity constructively.

[...] The textbook division represents the workings of the intellect in the usual terms of rational thought, and in those books the qualities of the imagination, of the psyche, of poetry, of creativity, are quite lacking. [...]

[...] There are too many reasons to be given in this session, but they apply generally to each individual, having to do with the nature of the psyche’s “initial” entry into your system. [...]

[...] They can escape from you like water through your fingers, carrying with them vital nutrients that spread across the landscape of your psyche — and all too often carrying sludge and mud that clog up the channels of experience and creativity.

[...] On Friday, April 6, we received from the production department at Prentice-Hall the printer’s page proofs of the index for Seth’s Psyche, and on Saturday morning the proofs for Emir arrived from Eleanor Friede at Delacorte Press. [...]

[...] Creatively, now, he is always interested in the new book—the current creative act, and he resented feeling that he had to type Psyche while not having current sessions. [...]

THE UNIVERSE AND THE PSYCHE

(Now I explained to Jane what I considered to be “a gorgeous little illustration” of how unconscious hassles can go on in the psyche quite unsuspected by the conscious mind as the cause for physical difficulties: As stated, when I woke up this afternoon my stomach hurt. [...]

Your dream³ fits in here in its own fashion, for you see that the ship of life, so to speak, rides very swiftly and beautifully also beneath the conscious surface, traveling through the waters of the psyche…. [...]

[...] In mid-July our friend Sue Watkins¹ began typing the rest of the final manuscript for Psyche; Jane had managed to help me out by finding the time to prepare the first five chapters for the publisher, but since we were both so busy we asked Sue for assistance. [...]

[...] In the dream state you are looking into the mirror of the psyche, so to speak, and seeing the reflections of your own thoughts, fears, and desires.

16. As Jane wrote in Chapter 16 of Adventures: “In one way, each person is at the center of the universe and at the center of the psyche.”

[...] This has to do with Ruburt’s symptoms, for he felt that he must be at his desk so many hours, whatever the number, and you became so obsessed with the amount of physical hours that you had to devote to painting that you began to divide up your psyche in terms of time.

[...] The same applies to the psyche. [...]

“Unknown” Reality, Volume 2, and Psyche, will come out fairly close together. [...]

[...] Besides doing all of her own writing and newspaper work, Sue Watkins is close to finishing her part of the typing on the final manuscript for Seth’s Psyche; I still have to spend more time on some of the notes for it. [...]

Jane, then, wrote those two poems 16 days before she dictated the last session for Seth’s The Nature of the Psyche on April 4, 1977; one month before she began dictating Mass Events on April 18, 1977; two years and two months before she began God of Jane on May 6, 1979; two years and six months before she began dictating the Preface for Dreams on September 25, 1979; two years and eight months before she came up with the idea for If We Live Again on November 15, 1979; three years and five months before she began dictating Seth’s material on the magical approach to reality in Dreams on August 6, 1980; four years before she began dictating Seth’s sinful-self material in that book on March 11, 1981; four years and three months before she began coming through with her own sinful-self information on June 17, 1981; and four years and five months before, on August 26, 1981, she wrote the poem in Note 6 for Session 936 of Dreams: “Something in me / ebbs and tides, / as if I let myself / for a while / be washed away / out to sea / while leaving / some spidery shell / upon the shore /….”

[...] The effort involved in recording these sessions and the stretching of the psyche that is involved has automatically helped you progress. [...]

[...] I say incipient because the condition is momentarily at a point where it can develop cancerous globules; or the condition, a beginning tumor, can retreat and shrink, and entirely disappear, according to the inner climate of the woman’s psyche.