“Seth material” search engine (Jane Roberts)

(Seth here refers to a large painting I have planned and made a pen-and-ink drawing for in small scale. Tonight I explained to Jane the problem involved in determining the correct relationship between background area, and the prophet, who is in a standing position. In this particular painting the background will play an important role, since it is designed to indicate a play of light and shadow. The prophet looks upward to the left, lips parted in speech.)

And perhaps in painting your picture the answer to the question asked by your prophet will also come to both of you. Does the question provide its own answer, or is there another who will provide the answer, or does the prophet question in vain? Does anyone hear his question but himself?

Now. To you ... (Long pause, eyes closed.) Your paintings are your own, and I am no artist. If I read your inner intent correctly however, your prophet will dominate the background, and seem almost to come out of it. At the same time the background itself will be alive, so it is difficult to tell whether the living background propels him outward, or whether he himself, from his own power, seems to rise out apart from the background. Or whether he has been thrust outward from the background of which he is part, a living focus rising out of the background, a part of consciousness rising out of a larger, undifferentiated consciousness implied in the background.

[...] The people that write to him as the result of his books often bothered him deeply, for he thinks that they look to him as you would to a prophet. And if he cannot help them then he does feel like a false prophet, offering hope and practically in a given situation being unable to give it.

[...] At another level he feared that his relationship with me was the result of unconscious fraud, and trickery, that he had indeed become the false prophet, and conned you and everyone else, including himself.

[...] The public aspects of it alone brought up the false prophet. [...]

[...] He would, indeed, be a prophet. [...]

[...] (Largely because I feared setting myself up as some sort of a ‘false prophet’ or something; or distrusted myself, rather than it, actually.)

[...] We have inspired and helped those of your prophets who have looked to us.

B. Mohammed (A.D. 570?-632), the Prophet of Islam, stressed the uniqueness of the god Allah, whose name was already well known in pre-Islamic Arabia.

[...] B.C.) was a Persian religious teacher and prophet.

[...] Certain individuals, therefore, in history, certain geniuses, kings, priests, prophets, are touched by this light. [...] The individuals then accept this projection upon themselves—the heroes, in other words, or the gods, or the prophets, or the kings. [...]

[...] In this same framework, as the exterior drama begins to fade and as it has left meaning, in your terms, only now as time seems to pass, then once again the interior drama arises, but this time with a new story, with a different god and with new prophets; and as the old weakens so the new interior drama begins once more to arouse man from within his dreams, and again they choose and someone appears, or two or three, and a new drama is projected into external reality. [...]

Now the affair with Venice’s friend involved the false prophet idea again. It seemed to Ruburt, with his understanding, that if his information was coming from a paranormal source, and that source was good, then it must also prove itself to be infallible, or he was a false prophet. [...]

Thus you deal often with events in which men are touched by great illumination, isolated from the masses of humanity, and endowed with great powers — periods of history that appear almost unnaturally brilliant in contrast with others; prophets, geniuses, and kings shown in greater-than-human proportion.

“What is this passion for nonbeing, this denial of sensual life, that drives so many gurus and self-proclaimed prophets? [...]

[...] An out-of-body experience into another level of reality becomes a visit to heaven, for example; or the heretofore-unrecognized voice of your own greater identity becomes the voice of God, or a spaceman or prophet.

[...] As I stated before, that part of the world was filled with would-be messiahs, self-proclaimed prophets, and so forth, and in those terms it was only a matter of time before man’s great spiritual and psychic desires illuminated and filled up that psychological landscape, filling the prepared psychological patterns with a new urgency and intent. [...]

(The first day after Jane got the call, we thought of all the reasons we didn’t want to do the show—including the material on the show and Susskind in Daniel Logan’s book, The Reluctant Prophet. [...]

[...] In any given historic religious drama, therefore, the actors may have already appeared on the historic scene in your past, the prophet of today being the traitor of the past drama.

[...] The expectations were set long ago in your terms, and will be fed by new prophets until the third personality of Christ does indeed emerge.

[...] He tries to view his own work through some idealized image of a psyche who is as gifted as he is as a writer, and also highly gifted in meeting the public, putting on performances, acting as a healer, as a prophet, and as an expert therapist all at once, and in so doing his own characteristics and natural abilities and inclinations become lost along the way. [...]

Topside, those people see themselves as a tiny group crying in the wilderness, unrecognized, unheeded, prophets to whom no one will listen. [...]

[...] The entire false-prophet syndrome comes from those feelings. [...]

[...] The Speakers therefore may appear within dreams as historical characters, as prophets, as trusted old friends, or in whatever guise will impress the particular personality.

[...] You do not have to be saints or prophets. [...]

[...] In the world that you recognize there are also wars and rumors of wars, prophets of destruction. [...]