“Seth material” search engine (Jane Roberts)

[...] He is a larger dimension of her, a different expression, a more adequate and productive one. [...]

(Jane and the members of her ESP class have worked with Seth’s book practically every week during its production, and she’s also read it while alone; still, she announced, “I want to go through the entire thing now so that I can see it as a whole.” [...]

Between the notes sounded there would be intervals, and those unsounded intervals would also be part of a massive unstated rhythm upon which the development of the entire sounded production was dependent. [...]

Experience is the product of the mind, the spirit, conscious thoughts and feelings, and unconscious thoughts and feelings. [...]

If you firmly believe that your consciousness is a product of your physical body, then you may attempt to cling to it. [...]

[...] The hows and wherefores and the ultimate product were left to the inner self.

[...] But even the sloppy workers will indeed pick up your ideas of excellence, and try to translate them, finding even a new satisfaction in their work—but only if you think of what you want as a product, and not what you fear you will get instead.

[...] We spend more and more time on affairs connected with symptoms, it seems—and those problems, connected with the construction going on in back of the house, where Frank Longwell is building Jane’s writing room in half of the garage, have combined to cut our production a good deal.

[...] But what you see is the end product.”

[...] It is completely a taped production. [...]

[...] He was face to face with them and with the natural end product if they were continued.

[...] The notes introducing this first volume also contain other applicable material having to do with Jane’s trance production times for the Seth books.

[...] It is fashionable in your time to consider man, or man’s “I”, as the product of the brain and an isolated bit of the subconscious, with a few odds and ends thrown in for good measure.

[...] He creates when he dreams in a truer and less distorted fashion, and his physical world is much more the product of his dreaming self than it is of his waking state.

[...] I am not speaking of marijuana at all, which is a different thing altogether and is a natural product of the earth. [...]

[...] He is producing his books and mine —a double kind of production that entails almost two publishing schedules.

(A couple of days ago Jane received from Tam a letter written to Tam by Saul Cohen, the editor at Prentice-Hall who’s evidently been assigned to shepherd Jane’s work through production. [...]

[...] They had emerged from it, and would fall away from it, not being the original experience, but by-products. [...]

[...] The physical time idea is a product of the ego’s tendency to make finer distinctions in order that it can classify and categorize, and therefore identify and give permanence to its own sensations.

It is this dilemma, precisely between identity’s constant attempts to maintain stability, and action’s inherent drive for change, that results in the imbalance, the exquisite creative by-product that is consciousness of self. [...]

[...] Some few people in your world expect to work productively through their 90’s at hard work, and do so. [...]