“Seth material” search engine (Jane Roberts)

[...] Jane and I, of course, are very conscious of how our involvement in the flood interrupted the production of this book in the middle of Chapter One. [...]

Then Wednesday we will begin our usual sessions, and I do bid you a productive and enjoyable new year—

[...] These people, he felt, were not the romantic artists he had dreamed of, but sometimes very calculating, and would blemish an artistic product with what he believed to be moral incompetence.

Seven represented the same kind of synthesis, and these were both Jane-type productions. [...]

[...] You wanted to protect them—the products of your ability, as well as your ability, from the world.

Prentice represented, to you (me), the world you had to protect yourself from, and be on guard against in the business world that had never understood your father—the unartistic, ever out to ruin the artistic product through ignorance, and lack of sensitivity.

[...] All would-be suicides do not follow through, and many end up leading long and productive lives, so that even when negative ideas are present in their most severe forms, there is still hope for improvement and accomplishment.

[...] You have always seen family life yourself as a threat to artistic production, and the first thing you would do if you had a house would be to build a studio outside of it. [...]

[...] In periods of intense inner activity that were enjoyable and productive, you disapproved of yourselves because you were not at the same time socially oriented, vigorously involved in exercises, or physically oriented pursuits, and so you disapproved of yourselves.

[...] Those are relatively shallow, but do operate—that certain foods are good for the body and others are not—that heart disease is connected with cholesterol and dairy products, while skim milk is innocent. [...]

[...] Suggestions, whether given to you or given by you, cause an emotional situation that automatically affects the production of hormones and chemicals.

The collection will include our family trees; my father’s journals and photographs; Jane’s and my own grade-school, high-school, college, and family data; our youthful creative efforts in writing and painting; the comic books and other commercial artwork I produced; our early published and unpublished short stories; my original notes for the sessions; session transcripts, whether published or unpublished, “regular,” private, or from ESP class; tapes, including those made in class of Jane speaking for Seth and/or singing in Sumari; our notes, dream records, journals, and manuscripts; our sketches and paintings; Jane’s extensive poetry; our business correspondence; books, contracts, and files; newsletters about the Seth material, published in the United States and abroad (independently of Jane and me); the greater number of letters from readers—in short, a mass of material showing how our separate beginnings flowed together and resulted in the production of a joint lifework.

[...] Again, he will think that two are involved and will realize that one unified product has been achieved instead. He saw a female baby because the product will be intuitive and psychic rather than born from logic. [...]

The product will not come from pain, so he felt none. [...]

[...] It is the en masse production that you have constructed. [...]

I will help you with sessions, going into pertinent material, but I also know that you need these statements of confident knowing to set you firmly in your most productive path at this time. [...]

[...] Before our experiments began, I used to think that dreams were relatively chaotic productions, with a few subconscious insights thrown in for good measure, now and then — a nightly retreat into idiocy for the tired brain. [...]

[...] Your sleeping hours are already productive. [...]

[...] You will realize how productive dream experiences are and the ways in which they are woven into the tapestry of your entire experience.

[...] I marveled that a scientist would send out a product like that.

[...] All sessions however have been productive in a variety of ways.

He would do literally anything to see you relieved and happy, and working productively. [...]

There is something about a product that is overestimated, and legal difficulties that will be taken against the company, for which you have been asked or will be asked, to work.

This time, however, unlike the case with “Unknown” Reality, there won’t be any two-year wait between the production of the two volumes for Dreams—only a few months at the most. [...]

[...] The larger experiments involved the production of a species that would be a part of the earth, and yet become aware co-creators of it. [...]

(“Now that I have conscious memory of seeing the vision, I’m wondering just how much this memory is going to influence my actual production of the work.”)