“Seth material” search engine (Jane Roberts)

[...] (Pointer moved to word yes printed on board.

(The test object is “Paper with printing,” the printing being the machine-applied cancellation, in my opinion, rather than my mother’s handwriting. [...]

Paper with printing. [...]

[...] Actually, correcting the proofs — carefully scrutinizing well over 500 printed pages word by word, checking and rechecking notes, spelling, punctuation, and so forth — kept us so busy that we suspended the next eight scheduled sessions, covering a period of 26 days. [...]

Right after that Sue Watkins called from her home in upstate New York to tell us that she’d just received from Prentice-Hall her first printed copy of Volume 2 of Conversations With Seth. [...]

[...] We grew up without modern conveniences like portable tape recorders, of course, but even so our natural creative desires had always been to express ourselves graphically, in written and printed words and in drawn and painted images. [...]

[...] This is the last major stage we’re concerned with before a book is printed, other than okaying routine components like frontmatter proofs—meaning the table of contents, dedications, quotations from Seth and Jane, and so forth—and the index.

[...] The edition was printed in Mexico and is on sale in that country and on our West Coast. [...]

[...] We’d known that Emir hadn’t been setting any records since its publication in September 1979, but we’d also thought the book’s sales were respectable enough that the people at Delacorte Press would keep it in print until it became better known. [...]

[...] Jane has received many favorable comments upon it from readers, and we’re sorry to see it go out of print. [...]

[...] I also taught myself to read upside-down print — an equally fascinating endeavor. [...]

[...] The announcement was printed in black ink on white, as is usual. [...]

[...] See also my tracing on page 1. The card is on white stock, printed in black ink, with the handwriting in black pencil. [...]

[...] As it was the color print used as object has a dull, overall brownish cast, yet the local colors are still visible, to a reduced degree.

[...] In black and white print, this sounds ridiculous, yet, emotionally, the statement has a logic that speaks louder than all my deliberate suggestions to the contrary. [...]

3. The 453rd session, for December 4, 1968, is printed in its entirety in the Appendix of The Seth Material. In that session, I think, Seth came through with one of his most evocative conceptions: “You do not understand the dimensions into which your own thoughts drop, for they continue their own existences, and others look up to them and view them like stars. [...]

(Tuesday, 6/23, 11:30 AM: Jane saw a brief flash of a woman in a print dress standing beside some chintz curtains. [...]

Seth’s personality, of course, comes through on tape better than on the printed page, because his inflections and connotations are obvious. [...]

[...] As stated the object is in black and various shades of gray, printed on white. [...]

[...] I saw my art for the first page, perhaps half again as large as the printed version would be, lying on a flat drawing table. [...]

(Since my senses seemed so acute, Rob asked me to read a letter on my bulletin board, the small print on a match cover, and a few lines from a book, all held out much further than I could usually manage. [...]

[...] It’s my personal opinion, at least of the moment, that it will be quite a while before Dreams is either finished or printed. [...]

[...] She wears a print dress that had been given to her in the Roman Catholic orphanage in Troy, some 35 miles from Saratoga Springs; she’d spent the previous 18 months there in the institution while her mother had been hospitalized in another city for treatment of rheumatoid arthritis. [...]

[...] I sent her one of the cards I’d had printed, giving a few details about Jane’s death and stating my determination to carry on with our work. [...]

[...] Eroticism—and yes, outright sexual curiosity and arousal over reversed genitalia, for instance—must enter in sometimes, although in print at least these specifics of sex in connection with reincarnation seem to be a taboo subject. [...]