“Seth material” search engine (Jane Roberts)

[...] The point I stressed—politely—was that at this time I wouldn’t make a move without legal advice, and that I wasn’t going to do anything that would compromise our position versus the insurance company.

They point toward the directions that your lives will take. [...]

[...] Jane is dealing with both of these points in Chapter Eight of her book.

[...] Much of the material dealing with perception that I have given makes this point quite clear. [...]

[...] They are given because there are several points in them of interest to Jane. [...]

[...] I want to clear up some points regarding your portrait of the old woman, that you are using in the book. [...]

[...] There is an individual there (pointing), and an individual there, with space between. [...]

[...] At some point in your development you will become more and more aware of the true nature of your identity. [...]

[...] The fact is that a “yes” answer—at that point—would not have particularly helped you—a fact known to the unconscious, of course. [...]

Yet the way of your own growth and development demands and yearns for such expansion, and your experiences serve to point others in the proper direction.

[...] Whether Atlantis actually existed in historic terms, its location, the time of its suggested demise, and so forth, are of course points strongly contested by scholars, scientists, and others.

At no point can we actually say that one construction vanishes and another takes its place, but artificially we adopt certain points as past, present and future, for convenience. At some point, we agree that the physical construction ceases to be one thing and becomes another, but, actually, it still contains elements of the “past” construction and is already becoming the “next” one.

The present is the apparent point of any idea’s emergence into physical reality.

[...] Now he is at the point where he is beginning to believe he can indeed reverse the process. The point of power is in the present. [...]

When you talk about people being insane, and point out the negative aspects of the race, Ruburt becomes highly uncomfortable because to him this means he has to protect himself against them, and justifies his behavior. [...]

[...] That is another point however that is important.

[...] The bells on donkeys belonging to the Zealots had upon them the symbol of an eye (Jane, as Seth, pointed to one of her eyes). [...]

It is not my purpose to go into my past existences in any great detail, but to use them to make certain points. [...]

[...] I’d forgotten both points for the moment — hence my surprise.

Seth is a point in my reference, in our reference. [...]

At this point it would be difficult for Ruburt to know of the possibility of such a demonstration before any particular session. [...]

Now this certainly sounds not only unbelievable from your point of view, but probably undesirable, and if so I appreciate and understand your reactions. [...]

[...] This is an extremely important point, and perhaps your phrase “to put yourself in someone else’s place,” most clearly approximates this sense.

And when I go more thoroughly into the actual manner in which man constructs his universe, this material will be a basic starting point. [...]

[...] There can be a literal interpretation: The drawing of the milkweed on page one of the object is V-shaped in the abstract sense—wide at one end, narrowing to a point, as did Jane’s gesture. Also the A in the Art Shop monogram narrows somewhat but doesn’t come to a point. [...]

[...] You are at a point where you can utilize these to a much larger extent. [...]

[...] The disorientation that it feels is the disorientation, you see, that it will feel when the physical body is deserted, or at the point of death.

I want to mention the difference also in experience and sensation, between a projection that begins in the dream state, and one that begins in a trance state, and also to discuss what Ruburt calls awake-seeming dreams, for there are several points here that you do not know, and they are fairly important.

The main point, before I get sidetracked, that I was building up to, is that matter is action utilized by the inner senses and perceived by the outer senses.

[...] But the fair amount of independence allowed was the main point.

[...] And here is a pretty point: Ruburt’s insistence upon the term gallery secretary left room for a certain independence and impersonality and leeway, that the term Mr. So-and-so’s secretary does not leave room for.

(Because she had been upset by the gallery situation, Jane at this point wished aloud that Seth could help her out as to what the future held; this is something we have scrupulously refrained from doing in any serious way, yet this time we sincerely felt we could use all the help we could get. [...]

Each would be inherently aware of its own potentials and “background,” but each would tune in to a particular point of that so-called background.

[...] I think that in his delivery since 9:53 especially, Seth did a good job of making some important points in a very brief way.

This is not necessarily the best analogy, but I wanted to make the point that various scales of awareness contain their own infinities, no matter how finite they may appear to be.

9. For some quotations (and references) from Volume 1 on the moment point, see Note 11 for Appendix 12.

There is a point I want to make, however. [...] One is called “Death Conditions in Life”’ and in it I make several points that will somewhat answer your questions. [...]

[...] That is a point that I wanted to make. [...]

(This I did not suspect.) Another point. [...]

[...] (A very acute pair of points.) Hence the fact that his students remain students as a rule, and not personal friends. [...]

[...] Several other points that we will elaborate on later. [...]

[...] It needs, often, trigger points to release it, however. [...]

[...] Such an individual then can understand the nature of hallucinations at the point of death, and with full conscious awareness enter into the next plane of existence. [...]

[...] The discrimination comes to bear upon the precision needed to enter your reality at the precise time, the precise point in time and space, upon which you are concentrated.

[...] As Warren made similar remarks about the development of individual consciousness through historical times to our point of civilization, Seth suddenly and unexpectedly came through loudly and forcefully:

Now I return the room to all of you — and remember, I am using you (Warren) to make the point only because you asked the question. [...]

[...] — there are points, again speaking simply and in your terms, where probabilities meet: intersections with space and time that occur in your minds while you change directions, where new probabilities that once lay latent suddenly emerge.⁹ And in terms of your civilization and your time, such a time is now.

There are such lights throughout the entire universe, but this one is at your own apex point, to which your consciousnesses are attuned. [...]

(I wondered aloud about a couple of points: What decides when Seth’s entity is going to speak? [...]

The points of sensitivity are diminishing. [...]

[...] From his vantage point it is a matter of when contact can best be made. [...]

Now we will have a relatively brief session, but I would like to give you some important immediate points to work on—not (humorously) that I did not give you enough the other evening.

Lighting his own cigarette in public was the one wild gesture of independence he allowed himself because you made such a point of lighting it for him. [...]