“Seth material” search engine (Jane Roberts)

(Jane said the high-voiced, rapid delivery reminded her of Seth Two, then mentioned a point I’d forgotten: She’d experienced a similar effect once before — last month, while writing poetry, and only mentally. [...]

[...] Jane also held her weekly ESP classes and writing classes, and continued her work on poetry and an autobiography [also unfinished]. [...]

7. From Jane’s notebook: “I was writing poetry one day early in August 1971, when suddenly I mentally heard the oddest sounds — incredibly fast, too quick to follow. [...]

[...] Jane has God of Jane and her book of poetry well in the works now, and both involve Mass Events, or material in it. [...]

[...] She’d done some excellent notes for her third essay for her book of poetry today, though she hadn’t worked at it as much as in other recent days. [...]

[...] His poetry to you is good evidence of this. [...]

[...] Many of his short stories, so addressed, are products quite as good as the poetry.

[...] The rest of the time for poetry. [...]

[...] “It’ll have a lot of poetry, though, stuff I’ve been saving for years. [...]

[...] In 1963, Jane talked to a class conducted by Mr. Clauss, at Elmira College, subject poetry. The college connection arose recently, because Jane also applied for a teaching job there, as well as in the Elmira school system.

[...] As stated the date could very well refer to the time Jane lectured a class at Elmira College on poetry. [...]

[...] The book of love poetry is an excellent idea. [...]

[...] [I hadn’t created anything like that for her, though.] When Jane read her poetry to me I strongly felt once again her innocence and perception: “The universe keeps turning into us….” [...]

I had known of her psychic gifts since her childhood, but the insights necessary were channeled through the poetry until the personality attained the necessary background that was needed in this particular case. [...]

All of the issues I have mentioned—love-making, the energy exercises, poetry and so forth—lead toward a therapeutic situation (pause), toward the realization that expression itself is safe, and serve to remind him that creativity’s uncertainty is itself highly creative, providing its own safety within a context of exuberant expression. [...]

[...] Then there’s Jane’s business and personal correspondence; much of her poetry; her journals; her unfinished autobiography; several novels she wrote before publishing the three Oversoul Seven books; the later essays she dictated to me, while in the hospital, about Seven’s childhood; her family history as far back as it can be researched; an objective biography of her physical and creative lives including her two marriages, and Jane’s and my struggles to survive before the advent of the Seth material. [...]

[...] After supper I sat down at my old table in the living room, as I always did, to work on my poetry. [...]

[...] I’ve never done anything but fiction and poetry in my life.”

[...] The same can be said for a successful poem, though here I speak of Ruburt’s knowledge of poetry, rather than of any of my own.

[...] She hasn’t done too much, other than some typing on her poetry book this morning; she slept for several hours today. [...]

[...] Concentration should not be on “work,” but on aspects, poetry, his ideas. [...]

They will be fully developed best, easiest, in dealing with this material and through his poetry. [...]

[...] Also that he continue what he is doing as far as writing poetry for at least an hour after supper.

Subconsciously his development along this line is of supreme importance to him, and working less at poetry will cause psychosomatic symptoms. [...]

[...] I suggest he does some poetry. [...]