“Seth material” search engine (Jane Roberts)

Success as a poet would present no difficulties. [...]

[...] Do you want to be a poet or a furniture mover? [...]

[...] Jane considered the possibilities in rhyme, since she is a poet: Gladys, lettuce, etc., as perhaps calling up such an association.

[...] Now I am no poet and you know it.

[...] My first novel had just been published in paperback, and all my energies were channeled into becoming a good novelist and poet. [...]

[...] It was to his class that Jane spoke on censorship in art and writing—and also ran into “a Frank Watts in poet’s clothing,” as Seth called him, in the form of another guest speaker.

[...] Recently Marian’s daughter wrote what Marian considered to be an excellent composition on the poet Donne; the quality was exceptional, according to Marian, and she typed up the paper for her daughter to take to school. [...]

[...] Nevertheless I understand she came up against a Frank Watts in poet’s clothing—a shocking experience for anybody. [...]

[...] Yet the intuitive qualities have made him a poet, and have always represented a strong and not weak part of his personality. [...]

([Jane:] “Now, as a poet, to me that is incomprehensible.”

[...] In this view, those elements in such messages that have no meaning for me can be only distortions on the part of the medium or the letter-writer or the poet. [...]

[...] We had looked forward to seeing that handsome little volume ever since she first conceived of it well over two years ago, before she had a title.⁴ If possible, Jane was even more pleased at the publication of If We Live Again than she had been when her book of poetic narrative, Dialogues of the Soul and Mortal Self in Time, came out in 1975. If We Live Again once more carried her back to her earliest days of creative work, which in turn had led to her teenage dreams of becoming a published poet [she was born in 1929]. [...]