Results 41 to 60 of 640 for stemmed:play
Actors visit casting agencies so that they know what plays need their services. [...] You are aware of the various plays being considered for physical production. [...] If enough interest is shown, if enough actors apply, if enough resources are accumulated, the play will go on. [...]
They also make choices as to which plays they will take part in. [...] To the actors, of course, their roles become strong parts of their personal experiences, while those who observe the plays take part largely as observers.
[...] Our hypothetical director will know which actors are free, which actors prefer character roles, which ones are heroes or heroines, and which smiling Don Juan always gets the girl — and in general who plays the good guys and the bad guys.
[...] In it the actors and actresses will take the parts of beliefs — of fleshed beliefs — and the morality play, so to speak, will deal with the nature of beliefs and how they are enacted through the centuries as well as through the hours. [...]
[...] So, instead, we will form a free city to which those travelers can come, and where those who enter can read books about Buddhism if they prefer, or play at being Catholic. [...]
[...] When you are tired of playing a Catholic priest, for example, you will fall into your own trap — in which your beliefs [as such a one] are suddenly worked out to their logical perfection, and you see what they mean.
[...] Playful creators always help. Creation is playful and full of joy but do not in your own heart set up any kind of social barrier. [...]
[...] Jane may or may not look into your playing cards. [...] You can perceive those playing cards as clearly as I can, and if you will not believe me, you will not believe yourself. [...]
See yourself as a playful creator. [...]
[...] I would like to suggest an experiment and I am suggesting it to you to see your reaction, like I couldn’t. I was really undecided whether to suggest it to Jane or to you, but you see like I’m kind of at an impasse because, like, there are a lot of words and a lot of concepts and philosophies bandied about, but when you make a claim you know such as that in as specific and nonconfusable terms such as that it would be very simple to demonstrate, and what I was wondering is, either now or at some time when Jane would agree to it, for instance, I brought some playing cards with me, ten cards...”)
[...] Jane and I wondered what role Billy’s illness might play in our affair with David—surely a way of thinking that would have been quite alien to us before the advent of the Seth material.
We’d also noticed that as soon as Billy lost his appetite his littermate, Mitzi, became “just a little busybody,” as Jane put it, playing and running about the house and out on the porches, as if in her own way she was trying to compensate for Billy’s unaccustomed lack of activity.
[...] I thought her own physical difficulties must play a strong role here, although she didn’t say so. [...]
And even as the session ended, I heard Mitzi out in the kitchen, playing with the wadded-up paper ball I’d made for her. [...]
In other words, subjective play is the basis for all creativity, of course—but far more, it is responsible for the great inner play of subjective and objective reality.
[...] When Ruburt forgot to worry because “he wasn’t working,” his natural playful creativity bubbled to the surface, and today he wrote poetry. [...]
[...] (Pause.) In a fashion, creative play is your human version of far greater characteristics from which your universe itself was formed. [...]
You may do what you wish yourselves (about taking the tests), of course, but our main purpose is to drive beyond psychology’s boundaries, and not play pussyfoot among the current psychological lilies of the field.
There are those who appear within these plays fully aware. [...] These personalities from other levels of existence oversee the play, so to speak, and appear among the actors. [...]
[...] He uses these inner senses constantly, though the actor part of himself is so intent upon the play that this escapes him. [...]
You can, however, using your inner senses, perceive reality as it exists apart from the play and your role in it. [...]
(10:29.) The idea is for him to play with Seven, to let his mind freely play with ideas, and to follow his impulses. [...] So the library idea that you had is an excellent one, but it should be done playfully. [...]
[...] Remember the use of the playful creative abilities, because again they can lead you to further ideas that would trigger unanticipated positive results in Ruburt’s condition, as per your chair idea, the table in the kitchen, and so forth.
Many people who use drugs socially are playing a kind of psychological Russian roulette. [...]
This feeling of abandoning oneself to the power and force of one’s own life does not lead to a mental segregation, but instead allows the self to sense the part that it plays in the creative drama of a universe. [...]
[...] Along the way they have forgotten the cooperative, playful ventures of childhood, and the expression of love itself becomes most difficult.
[...] Dreams provide consciousness with its own creative play, therefore, when it need not be so practical or so “mundane,” allowing it to use its innate characteristics more freely.
[...] They hint at the true dimensions of consciousness that are usually unavailable to you, for you actually form your own historical world in the same manner, in that above all other experiences that one world is predominant, and played on the screen of your brain.
There are publishing games also, and you do not play these. If you play those games and do poorly, you at least have a right to shout “foul” now and then—and I will tell you something: Prentice looks out for your interests in the person of John (Nelson) far more than you give him credit for. [...]
[...] You avoid “the wild psychic world” of cults, semicults, and so forth, and above all you are individualists who do not play according to game rules.
[...] You do not, however, through your attitudes play the kind of game that is necessary.
[...] But you have not been serious enough about using it, nor have you been playful enough to use it without serious note. [...] You may play with it and use it marvelously... [...] And in your own daily activities, in your playful moments, serious moments, you can almost achieve the freedom that the inner self knows. [...]