“Seth material” search engine (Jane Roberts)

[...] I don’t mean to be paranoid about this observation, merely that business is done that way and that the author, once he or she has produced the property to be played with, is relegated to a place much lower on the totem pole of importance.

His understanding is growing by leaps and bounds, but it is highly important that you both get back to what you think of as important—your work, which should also be your play, and also to your love-making. [...]

What you have needed, and if you have the sense to perceive it, and I think you have, was a situation where both logic and intuitions were allowed full play. [...]

[...] You may therefore be assured that I will not play on such human limitations. [...]

[...] I find it difficult to imagine that you need such childish play to convince you of that which you already know. [...]

[...] He repeated again that he could not play on Dr. Instream’s desire for immortality in order to arouse his interest in the material.

[...] I did not base my decision concerning working hours on the Seth material, although the information Jane and I have received on expectations played a part; it has done much to increase our confidence in various fields of endeavor other than our arts.

[...] First of all you deeply feared that in rearranging her house she was merely playing with surface arrangements, and would not touch the deeper dilemmas of the family.

[...] The late difficulty of the last two weeks or so coming up the garage step has simply been the result of changes in both legs —quite beneficial, although in certain positions, whenever weight must be placed exclusively on one leg, then inequalities come into play. [...]

[...] Animals playing are always exchanging healing transformations of energy from one to the other. [...]

[...] When you play this down, thinking it either useless or at best not profitable, then you deny him the advantages of your better wisdoms in that area.

[...] If I’d played down Seth’s importance and concentrated on some of the other experiments that were also proving successful, then the book would have a very good chance, the editor told me. [...]

[...] As a result, I played around with the idea of publishing some of Seth’s ideas as my own and hiding their origin. [...]

(Since Peggy has now been made aware of Seth’s predictions, Jane and I now wonder what part, if any, suggestion might play in the events that transpire in Washington DC. [...]

[...] Jane and I wonder what part, if any, suggestion can play in such statements, perhaps unwittingly leading the recipient to react adversely to an individual.)

Our environment therefore is composed of exquisite imbalances, where change is allowed full play. [...]

[...] It can be told now what it yearned to be told then—that it was indeed good, and not bad or evil, that it could indeed use its curiosity without the threat of abandonment, and that it could trust its own creativity and love of play. [...]

[...] She has no other and this does play into their hands. [...]

(10:04.) In one way or another, the race played with technology through the ages, in a subsidiary manner. [...]

[...] He seems to be in awe, relatively speaking, of your simplified “perfectionist” detailed ways, while to a certain extent you seem to be in awe of his inspired undetailed ways—a game each of you play.

[...] I still want to know what role the sinful self—to use the appellation Seth gave us—plays in all of this, for I’m more convinced than ever that it is still the dominant force behind all of it. [...]

(9:57.) Through the use of symbols, however, your feelings would be given full play, each image rising and falling in flow with feelings so far underneath consciousness — pools of emotion — that you were not aware of them. [...]

Give us a moment… Your world, then, is the result of a multidimensional creative venture, a work of art in terms almost impossible for you to presently understand, in which each person and creature, and each particle, plays a living part. [...]

[...] Creativity is a kind of psychic play, an exploration of reality, and an individual reinterpretation of it, and of the events of Framework 1. The artist might need to know technique and certain methods, and so forth. [...]

[...] Although she obviously played a vital part in keeping herself alive, I believe that that action came after her own natural, chosen time of death had been subverted. [...]

Man’s focus is equally limited in perception theory, which is a deadly psychological game played by the United States and Russia. [...] Indeed, military leaders in the United States, and evidently in Russia, concur in playing out the illusion of perception theory for their own psychological and political purposes.

[...] “We don’t want it thought,” I wrote when I got back to the hill house, “that the overall consciousness of Iran is playing with the individual consciousnesses of its people, say, as with toy soldiers, setting its citizens up against the world only to have them knocked down. [...]