“Seth material” search engine (Jane Roberts)

[...] Some of these languages dealt with pictures rather than words. [...] Oftentimes words were hidden within pictures, and pictures within words. [...]

[...] In your terms it would be as if you saw a series of quickly moving pictures, all representing various poses of one personality. [...]

[...] They could not then see the entire picture, or understand for example that a seemingly innocuous, or even a seemingly unfortunate event, that led from a move to one place from another, had anything to do with the search.

(11:03.) You are at times ignoring the significant clues, and seeing them instead as insignificant, in the light of the completed normal picture. [...]

Your conversations, your drives, your mail, the television programs you watch—all of these are involved—involved in that you will be led to watch programs, for example, that in one way or another help the entire picture. [...]

“Now, the creative abilities do not just help you write books, paint pictures, play the piano, compose. [...]

[...] The psyche from which your identity springs is free of the picture of reality that you have chosen. [...] You choose, in other words, to accept a given picture of the world, and you use that picture as a frame within which you form a life.

[...] That is a truer picture of your position.

You show a certain picture of yourself to the world. [...] There are habitual patterns of behavior that operate, as you more or less stabilize your picture of yourself in relationship with families and friends. Sometimes that picture is a fairly faithful representation, and sometimes people make artificial portraits of themselves, and instead of speaking for themselves to others, they let their artificial portraits do it for them. [...]

[...] In one place, page two of the results, nine impressions in a row were correct and highly specific, and these added up to a complete picture of the place where the Gallaghers stayed. [...]

[...] In your terms, then, other civilizations considered art as a fine science, and used it in such a way that it painted a very clear-cut picture of the nature of reality — a picture in which human emotion and motivation played a grand role.

(10:35.) Give us a moment … The true scientist understands that he must probe the interior and not the exterior universe; he will comprehend that he cannot isolate himself from a reality of which he is necessarily a part, and that to do so presents at best a distorted picture. [...]

[...] The intellect, then, can and does form strong paranoid tendencies when it is put in the position of believing that it must solve all personal problems alone — or nearly — and certainly when it is presented with any picture of worldwide predicaments.

In the meantime, of course, quite valid rockbed evidence that does not fit into the picture gradually becomes discarded, ignored, thrown away. [...]

[...] Other quite real, quite physical evidence — always, now, apparent in his body at any given time — is ignored as nonessential, too trivial to bother with, or take seriously, because it does not fit into the so-called rational picture that has been developed.

The picture of man, animals, and nature depicted in the movie of which you were speaking is the only possible portrayal of reality that could be logically shown, considering the beliefs upon which the premise rests.

[...] Man could not have existed under the conditions fostered in the moving picture — nor for that matter could any of the animals. [...]

[...] [The postcard used as object for the session showed Mother Goose.] The Ali Baba display was quite impressive, Barbara said; so much so that she took a picture of Gary, her sister’s young son, in one of the large jars or vases belonging to Ali Baba.

[...] You may be able to translate the verbalized sounds into pictures or into miniature pictures that later turn into symbols. [...]

Vowels and syllables build up their own kind of (in quotes) “light pattern,” or light picture, again, that you do not perceive. [...]

(The orange-yellow-sunny interpretation of this photograph is particularly intriguing to us because it was taken on an extremely bright day; we remember it well because some other pictures I took on this roll, of rocks and the sea, were overexposed because of brightness and reflections. [...] The two people involved, a man and woman, could be Jane, and me who took the picture. I am 46 now, but was 45 when I took the picture.

[...] She had the mental picture of a border, of something square, as the photograph is, with a border around it. [...]

[...] I bid you a fond good evening; and feel free with your pictures or whatever else you have for me.

(9:17.) Each species is endowed also, by virtue of the units of consciousness that compose it, with an overall inner picture of the condition of each other species (pause), and further characterized by basic impulses so that it is guided toward choices that best fulfill its own potentials for development while adding to the overall good of the entire world consciousness. [...]

“By the time” that the Garden of Eden tale reached your biblical stories, the entire picture had already been seen in the light of concepts about good and evil that actually appeared, in those terms, a long time later in man’s development. [...]

[...] They are carriers of pictures and images, and expectations—the threads with which you form the sparkling web of physical life.

1. Picture a stack of cards comparable in size, let us say, to playing cards and stacked two or three feet high. [...]

[...] For both of your benefits, it is important that you realize he has improved since that picture was taken that you saw tonight, and that you understand that the physical condition can be remedied. [...]

[...] Pictures or symbols on a note.” [...] It also bears pictures and/or symbols, on both the front and the back.

[...] Pictures or symbols on a note.

[...] Jane was a bit dubious here, but said the photo heading up the article on the front of the object pictured the first meeting of the newly-elected Day Students Council; this meeting of course was followed by others.

(“Would it help to paint a picture of my recollection of Joseph and the wall?”)

(“What connection, if any, does the picture of the man I painted in Florida, around 1954, have with Jane or myself?”)

You can change the picture of your life at any time if only you realize that it is simply the one portrait of yourself that you have created from an unlimited amount of probable ones. [...]

[...] As it took some time to build up your present image with its unhealthy aspects, so it may take time to change that picture. [...]

As mentioned in this book (in Chapter Four, for instance), the emerging memories will then turn on the body mechanisms, merging past and present in some kind of harmonious picture. [...]