“Seth material” search engine (Jane Roberts)

[...] There are other situations, therefore, in which consciousness ordinarily strays much further, returning to the body as a home station and basis of operation, relying upon it for certain kinds of perception only, but not depending upon it for the entire picture of reality. [...]

[...] Yet your more educated beliefs lead you to an even more pessimistic picture, in which even the violent action of men and women who are driven to the extreme serves no purpose. [...]

[...] That little picture, then, was taken some twelve years before she began “coming through” with the Seth material. [...]

[...] “Each person has such a world view,” Seth tells us in Session 718, “whether living or dead in your terms, and that ‘living picture’ exists despite time or space. [...]

If you purchase the house, you will paint two pictures in particular, landscapes in tempera, that will help set your name. [...]

Much of this had to do with the picture in his mind, quite unconscious, of what he expected life to be. [...]

If you will imagine the rather odd picture of a solid beam extending from the body of the man on the corner to the tree, then this may help you to think of sight as a path. [...]

[...] However, my viewpoint is not precise enough perhaps, but I have the picture of a door precisely centered, leading outward. [...]

[...] You remember, Joseph, the rather frightening sensation you felt during one instance of your use of one inner sense, when you translated inner data into the almost nightmare picture of open mouths that could not scream. [...]

[...] They saw a motion picture about a woman with lovers, and a cripple, or perhaps a dwarf. [...]

[...] Our challenges echo throughout all of our probable realities simultaneously, and through all of them together the largest picture of Jane and myself is presented. [...]

Such usually unconscious knowledge is of great benefit to the species itself, so that at certain levels, at least, the knowledge of the species is not imprisoned within any given generation at once, but flows or circulates within the overall larger reincarnational picture. [...]

[...] (Long pause.) Time overlays present you with a picture in which you have free will—yet each event that you choose will have its own time version. [...]

I do not necessarily mean that full-blown pictures of other existences would necessarily come into your mind, but that in one way or another you would receive a support or change of mood as those loved by you in other lives [in] one way or another sensed your need and responded.

[...] Perhaps, but Seth didn’t fit the picture of any of the case histories we’d read—and neither did I.

[...] Reflection of some sort enters into the picture, and with it the organism is given more to do. [...]

[...] Jane said she saw the photo in her mind’s eye, but that as she continued to speak, she eventually received a hazy picture, a “nebulous impression,” of a bar. [...]

(There are actually 6 personal names on the back of the object: Leonard, John, Jane and myself, Lincoln, and the photographer who took the pictures used on the front of the postcard, Don Sieburg.

In the light of that picture improvement was not reasonable, not to be expected. [...]

[...] However, I shall not neglect at any time to give you a thorough picture of any material that I have once discussed.

Direct experience in these inner senses will give you a much clearer picture of them than any words, even mine, can do. [...]

With physical perception the picture all fits, of course. [...]

[...] When you paint a picture, my dear Joseph, you are dealing with a transformation of energy and transformation of camouflage pattern. [...]

(“Just before the picture was taken?”