“Seth material” search engine (Jane Roberts)

[...] The effect of looking outward into space, and therefore backward into time, is a kind of built-in convention that appears within your own space-time picture. [...]

[...] It means that generally speaking such behavior fit within the psychological picture of reality. [...]

[...] (On February 19.) What was said should show you that Ruburt’s condition also became the focus of your combined discontents, the physical picture of it. [...]

([Gert:] “During psy time I got a picture, I think of myself, as a man standing in a grassy area, like someone’s backyard, and a woman. [...]

[...] Despite this, however, your senses present you with only a picture of your immediate environment, unless they are cultivated in certain particular manners that are relatively unusual.

[...] Such isolated observation areas merely present you with a distorted picture of natural behavior, because the animals are also imprisoned within them. [...]

Now I am speaking simply, for I am speaking of a circle as you understand it in three-dimensional terms, but there are more depths and dimensions to a circle than you can imagine when you picture, say, a globe; and so of course in this analogy identity has other dimensions that do not appear.

[...] He considers studying dreams feminine, and to paint pictures of them presents a second mystery (intently). [...]

[...] Her pace was slow in here, and she used many gestures, drawing pictures in the air, frowning at times.)

[...] The pictures of the moments clicked together as they usually do, each instant precise, yet leading into another. [...]

[...] In the past he cut the desires down, to make sure that the most important prerogatives would be met, but his picture of reality was too small. [...]

[...] It is according to when you come into the picture, and what you choose to observe, and what part of the play you decide to observe. [...]

[...] It is the entire picture that is important. [...]

[...] They felt threatened by the world, which was painted by their beliefs so that it presented a picture of unmitigated evil and corruption. [...]

[...] Jane does not care much for the other head in the painting, although as I worked on the picture I was as much intrigued by this head as by the other.

[...] On the other hand, you face the evidence of today; almost, though not quite, it seems, the worst picture possible, the antithesis of what is desired. [...]

(“Did you like your pictures?” The photos taken by Rich Conz.)

You were aggressively aware of the difference between your own attitude and some of society’s in that regard, but for the first time in your life you were closely involved with another person, day by day—who to some extent (underlined) then served as a moving picture onto which you projected these fears as to your own worth.

[...] The reincarnational structure is but one facet in the whole picture of probabilities. [...]

[...] Others are like the televised news picture, carrying perhaps more information about the event but still not containing it.