“Seth material” search engine (Jane Roberts)

[...] It is almost forced to make an orderly picture, say like a jigsaw puzzle picture, while being denied half of the pieces.

SCIENCE AND SCIENCE’S PICTURE.

[...]

[...] So it is the conscious alert mind that must take these pictures if you hope to later make sense of your inner journeys. [...] It will be there when you need it, to take the pictures that will be your conscious memories of your journey.

[...] If you are alert you may even take snapshots — only as far as inner tours are concerned, the snapshots consist of clear pictures of the environment taken at the time, developed in the unconscious, and then presented to the waking mind.

So after getting to the position that yes, these ideas are factual (or even, larger than facts) is okay, good—but only part of the picture, and the premise could actually be misleading and limiting.... [...]

[...] What was not said was as important as what was said as far as the interview itself was concerned, for implied there was always the authoritative picture of the progress of certain symptoms, ending in the most dire pictures. [...]

[...] Of the other two men, one is not in the picture as yet. [...] But the third man must arrive in the picture. [...]

([Peg:] “Wouldn’t it be simpler for you to cause a feature change in something like a picture?”)

[...] Why wouldn’t it be easier to change a picture?”)

[...] A picture would not help me on its own.

[...] They do not just help you paint a picture, or write a poem, but they help you form the living picture of your lives. [...]

[...] Each physical breakthrough manages to dilute that picture some, but often in spite of Ruburt’s habits and to some extent your own.

[...] You can see this quite clearly when Ruburt displays his side of the same picture, concentrating on symptoms.

It is quite possible you see for you to have results tomorrow, but it takes time to paint the picture from your idea. [...]

[...] If a bill arrives do not think “How will we ever pay this?” or “This will make us short,” for you are painting your picture of poverty, you see. [...]

Your ideas about sexuality and your beliefs about the nature of the psyche often paint a picture of very contradictory elements. [...]

Your psychological tests show you only the current picture of males and females, brought up from infancy with particular sexual beliefs. [...]

(“Connection with a picture.” The object is a drawing, or picture.

[...] Connection with a picture. [...]

“Wrong” answers can fit together, however, to present a perfect picture, an excellent construct of its own—and why not? [...] The picture we will end up presenting, then, will certainly not fit that of established science.

Four days after Sue’s visit we received an enthusiastic letter from an independent motion-picture producer and director in Hollywood, informing us that he’s finally succeeding in his quest for an option to the film rights to Jane’s novel, The Education of Oversoul Seven. [...]

[...] As a result, for example, your archeological evidence usually presents a picture quite in keeping with your ideas of history, geological eras, and so forth.

I have a purpose in this book—for this is dictation—and that purpose is to change your ideas of yourselves, by showing you a truer picture of your history both in terms of your immortal consciousness and your physical heritage.

[...] There is nothing that does not fit into the picture. [...]

His idea of changing the present through altering pictures in the past is also pertinent and good. [...]

[...] The latter belief fell, however, and in three years the financial picture has changed vastly for the better.

[...] So the Nelson book was pictured in the ad, along with a lot of others, but nary a Seth book.)

[...] The picture is not clear. [...]

[...] Now after a bit I thought I had a quick inner picture of a group of men gathered about a church pulpit, somewhat in the distance. [...]

[...] Initially this does not give a smooth picture of locomotion.

[...] Since we wanted Seth to continue with the same material tonight, we looked the pictures over again while waiting for him to come through. [...]

[...] Ruburt’s mystical nature was such a strong portion of the entire identity that in his present reality, and in the probable reality chosen — as mentioned when I discussed this picture (of Jane) — the mystic impulses and expressions were given play. [...]

When your picture was taken, therefore, your parents were already living in a probable reality, but you and [your brother] Linden were not. [...]

[...] (Long pause.) I am simply trying to give you a picture of one kind of dream occurrence, or to show you one picture of dream activity of which you are not usually aware.

[...] This is a part of the picture.

[...] Again, this is in reference to you, and not the whole picture. [...]