“Seth material” search engine (Jane Roberts)

(Jane had an image of a photo of the two of us, taken at Enfield Glen. [...] No photos of us have been taken at the Glen in recent years. [...]

[...] In the photos all the women wear the new close-fitting hats that cover up the hair. [...]

[...] The dish photo on the page 12 side of the object contains round shapes, for instance, but in shades of gray and in black only.

[...] The deleted material on my stomach which I’d received on February 2, 1976 had already helped resolve my hassles about using old family photos in “Unknown” Reality.)

(“Did you like your pictures?” The photos taken by Rich Conz.)

[...] In that session, Seth told us that the 12 year old Jane in the photo under discussion was to become probable to the one I eventually met and married.] Beside whatever Seth could tell us about her parents, I was curious to know whether the Jane who was shown at the age of 3 might be — or was destined to become — another probable Jane.⁶)

(Two days ago, on Saturday, November 25, I took a few exploratory photos of my two friends, preparatory to beginning work on portraits of them.)

[...] She gave me a color photo of the cat to show Jane. [...]

(Tracing of the photo of Jane’s father Del [for Delmer] and his deceased second wife, used as the envelope object in the 50th experiment, in the 255th session for May 2,1966.)

[...] She also felt she had looked at a photograph, but could not say whether of a man or a woman; perhaps an old-fashioned photo. [...]

[...] She saw these photos quite clearly, she said, and knew that two of them were in our album, and the third in a file of her own. [...]

[...] My own notes contain a detailed chronology of events between my drawing, when we were given the newspaper containing the photo in question, etc. [...]

(Tracings of the black & white Polaroid photo of myself used in the 32nd envelope experiment, in the 232nd session for February 9,1966.)

Your parents have physical representations of their memories in terms of photos and letters — but take your break.

[...] Jane’s publisher has written requesting some photos, drawings, etc., in connection with the book Jane is now writing on the Seth material. [...]

[...] The photo is of Hoffman Nurseries, and features a sign. [...]

[...] And a distant connection with two boys who seem to have been around, or connected with, the two people in some way when the photo was taken.

[...] The chocolate brown ink printed on the object is dark; perhaps this gave rise to the dark photo data.

[...] Aerial photos show that now, at least, there’s more than one southeastern corner of the city formed as the battlemented, meandering southern wall turns north in a series of steps or right angles. [...]

[...] Seth now informed me that in the 180th session Jane distorted the information about the border of the photo into a border of flowers because of her personal childhood associations. [...]

[...] The first and last photos show Jane before the bay window that faces the northwest, with the trees and the backs of the houses lining the east side of Walnut Street in view.)