“Seth material” search engine (Jane Roberts)

[...] Such issues help place certain of Ruburt’s reactions in perspective. [...]

[...] This alteration of perspective can be of great help.

[...] You are dealing, however, from your perspective with ideas that have the potential of reorganizing the society, yet your backgrounds have been those of your world. [...]

[...] Looking down at the town gives the kind of perspective that each of you enjoy—as here you look down from the second story.You get a second-story effect, then.

2. Jane wrote these notes in her journal last Sunday, the day before she delivered this session on August 25 — but I present them here to show how, from her own perspective, she very nicely covers events I too wrote about in connection with the session.

This puts present world events in an entirely different perspective. [...]

[...] At once I thought of trying to explore that timelessness in the only way I could as a physical creature—by, contrariwise, taking the time to list a flow of events since she had conceived the poems, putting their creativity into perspective while still feeling it as if it were new. [...]

[...] In a very real manner of speaking, this means changing your viewpoint, that particular perspective with which you view your past and present and imagine your future.

[...] This strikes us as really funny, since I paint as a hobby, with a stubborn lack of perspective. Rob used to try to teach me perspective, but the lessons just wouldn’t take. [...]

[...] A sequence of dreams, Jane said, would give a much better perspective on the dreamer’s challenges, fear, etc., in life, and yield much better insights. [...]

[Seth II:] Let the human characteristics by which you know me, fade into their proper perspective. [...]

You see the flower bulb as it exists from your own perspective. [...]

[...] An interesting way to gain a fresh perspective on our present time.

In my own notes, of course, I described those events dealt with by Jane and Seth from my own perspective, as I watched them happen. [...]

[...] The perspectives and psychic relationships that make up the human personality simply could not have resulted through action within your field alone. [...]

I do not believe that Philip has read the material dealing with the perspective universe, in which the dream is projected into a changing but durable and quite real existence, independent of the dreamer.

The blocks of physical reality appear very real to you when you dwell within their perspective.

[...] I hope to give you along the way a picture of reality that puts suffering in its proper perspective, but it is a most difficult subject to cover because it touches most deeply upon your hopes for yourselves and for mankind, and your fears for yourselves and for mankind.

I did mean to mention that man’s use of perspective in painting was a turning point (early in the 15th century), in that it foreshadowed the turning of art away from its imaginative colorations toward a more specific physical rendering—that is, to a large degree after that the play of the imagination would not be allowed to “distort” the physical frame of reference.

[...] From two perspectives she rather briefly describes one such episode, which actually lasted several hours, in her Dialogues, and in Adventures in Consciousness.⁵

[...] It has a validity within very limited perspectives only, for consciousness does, indeed, evolve form and form does not evolve consciousness. [...]