“Seth material” search engine (Jane Roberts)

(She started coming through with her material as soon as we sat for the session, so it took me a few moments to get my pen and notebook ready. [...]

[...] I made two ball-point pen drawings of my wife while she lay on her side with her beautiful eyes still open; they were blue flecked with hazel, and were as clear and peaceful as those of a child. [...]

[...] I found a pen and some paper in Jane’s desk. [...]

[...] It was written with a dark pen on a sheet of yellow paper, not punched, and the size of this page. [...]

(The object is a poem written to me by Jane on a sheet of yellow paper, in a dark pen, and dated July 3,1966. [...]

[...] Jane wrote the poem with a dark colored pen; the ink is actually a gray-blue, but hardly aquamarine.

(While she waited to see what she’d do next, Jane told me to get my paper and pen ready for a session.)

[...] But then she asked me to get my paper and pen ready.)

[...] I got my pen and notebook. [...]

[...] At 3:35 Jane told me to get my paper and pen ready in case Seth came through.)

[...] The drawing is reproduced on page 232; it is a pen tracing made from the original on a light table.

[...] I replied that I had and went back to my studio to get the envelope I had readied for last Wednesday’s session, and my pen and notebook. [...]

[...] It appears that many impressions can attach themselves to such a simple thing as a small pen drawing.

[...] We had just finished supper when Jane motioned for me to get pen [...]

[...] I had laid pen and paper by my elbow, and now I reached for them.

[...] I could of course make out the outline shape of the paper in the dark, and the place where my pen was touching down.

On the envelope of the letter containing the queries about Seth’s validity, Jane had penned a few lines as she sat at her desk yesterday afternoon:

[...] Finally Jane told me to get out my paper and pen. [...]

[...] I wrote it down as usual; then, walking over to me, grinning but also intent, she took the pen from my hand; she herself wrote the word down at the top of the page, in letters 3/4 of an inch high, and underlined it heavily for emphasis in no uncertain terms.)

(Again Jane took the pen from my hand and underlined the word “all” in the above sentence. [...]

[...] It was written in a dark pen on white paper torn from a pad the same size, and was folded once before insertion into the double envelopes. [...]

[...] A more distant connection might arise from the fact that Jane’s shopping list, shown on page 190, was written on yellow paper with a dark blue pen. [...]

[...] Then she told me to get out my pad and pen. [...]

[...] The object marked in the middle of the back, in pen or pencil.

(I neglected to deal with Seth’s next impression, “The object marked in the middle of the back, in pen or pencil.”

(I had an impulse to try to get back to my studio to get some paper and a pen; this was followed by another impulse—to forget about notes for a change, even though Jane was obviously about ready to give a session. [...]

(As Jane delivered the above material in quite an animated fashion, Bill picked up a piece of paper lying on the coffee table, and Jane’s pen. [...]

[...] She insisted that I get pen and paper, that we have a session now with John as a witness. [...]

[...] Staring at me, she then pointed to a pen and paper she had evidently placed there on the desk. [...]

[...] For those who are interested, I drew a likeness of my father for one of my pen-and-ink illustrations in Jane’s Dialogues, and incorporated an image of my mother in another one. [...]

[...] I did 16 schematic pen-and-ink drawings for it, many of which contain representations of Jane’s “living area.”