“Seth material” search engine (Jane Roberts)

[...] She summarized those conflicts in the note she wrote on our 26th wedding anniversary.³ I saw that same pattern of delay at work in her holding the sessions for Dreams—and to me that meant the same psychic and psychological forces were still operating. [...]

[...] Ruburt’s entire group of symptoms do not follow any established pattern. [...]

[...] It was a time when unconventional patterns of thought, of unconventional expression, could have (fateful) consequences.

[...] Do not “just listen,” but allow yourself to be open to the different pattering sounds and sound patterns that the rain makes. [...]

[...] First of all, as far as the hands are concerned, to be left-handed or right-handed has to do with inner mechanisms and brain patterns that come before the motion of the hands. [...]

The second session for Jon was entirely devoted to reincarnational influences, and it is an excellent example of the way these can affect health patterns. [...]

[...] The boxes of cards for which the sticker was made are large, large enough to contain reproductions of four cards, arranged in a rectangular pattern on the box top, and on a printed gold background. [...]

[...] In it I quote Seth from the class session for June 23, 1970, as excerpted in the Appendix for Seth Speaks: “In this reality, [each of] you very nicely emphasize all the similarities which bind you together; you make a pattern of them, and you very nicely ignore all the dissimilarities … If you were able to focus your attention on the dissimilarities, merely those that you can perceive but do not, then you would be amazed that mankind can form any idea of an organized reality.”

[...] You insisted upon using your abilities, and tried for years to fit them into the commercial pattern, where they were accepted financially and socially, and in terms of your self-image. [...]

[...] The kind of decision to some extent organizes the patterns. [...]

[...] You do not leave what you call yourself behind; you merely change what you are into a different pattern. [...]

[...] “The ‘Unknown’ Reality was written to give … individuals glimpses into alternate patterns of reality. [...]

[...] The streets are lined with trees arching up to meet overhead; periodically those intersecting patterns of leaves and branches are punctuated by bursts of light from the streetlamps. [...]

[...] As Seth told us in Session 20, on January 23, 1964: “Time and space, dear friends, are both camouflage patterns, therefore the fact that the inner senses can conquer time and space is not, after all, so surprising. [...]

[...] At the Sayre house I have the large oil painting I did of the sunlight streaming through the windows of the studio on a certain day early in August: the only day in the year that the ever-moving sun casts that particular intriguing pattern of light and shadow across the bare wooden floor.