“Seth material” search engine (Jane Roberts)

[...] There are layers and layers and layers, but these layers all grow from the inside outward as though the inner identity forms layers and layers of personality. [...]

The inner state of each individual mind is projected outward. [...] Chemicals are thrown outward into the atmosphere. [...]

[...] No skin or bones or skeletal cage can keep the thought of the self from going outward.

[...] The outward layer of skin, while serving as a physical enclosure, serves as a physical enclosure only for the sake of convenience, as far as distinctions are concerned.

[...] Thoughts, dreams, purposes and intents, plans and wishes are constantly speeding outward from the core of self unimpeded. [...]

[...] The symbolism apparent to Ruburt when Seth Two speaks works well, but outward is also inward, and so consciousness travels as far inward as it seems to him to go outward.

Your acts ripple outward in ways that you do not understand, interacting with the experience of others, and hence forming world events. [...]

These inner communications, then, reach outward in all directions. [...]

[...] Such problems projected outward can never really be solved as far as the individual is concerned, of course, since their source is not understood.

You will often try to project a problem outward to free yourself. [...]

You can project your dilemmas or your abilities outward into other avenues of activity, then, but until you realize that you form your reality and that your power resides in the moment, you will not be able to solve your problems nor utilize your strengths properly.

[...] At the same time the background itself will be alive, so it is difficult to tell whether the living background propels him outward, or whether he himself, from his own power, seems to rise out apart from the background. Or whether he has been thrust outward from the background of which he is part, a living focus rising out of the background, a part of consciousness rising out of a larger, undifferentiated consciousness implied in the background. [...]

[...] This intense desire would then act something like a core of energy projected outward from your own mind, given a form, your form. [...]

[...] And in front of the table is a table just like it, only a bit less physical appearing than the “real” table — it also having a succession of even less physical tables extending outward. [...]

[...] As Christ was surrounded by the disciples, so the inner self is surrounded by these physically oriented characteristics, each drawn outward toward daily reality on the one hand, and yet orbiting the inner self.

[...] “Something like Christ being a central pole, with twelve balls revolving around him but radiating outward at the same time,” she said. [...]

The caves, again, served as doorways opening outward, and often what seemed to be the back of a cave was instead constructed of a material opaque from the outside but transparent from the inside. [...]

[...] They were largely situated in what you call Asia Minor, but they were also expansive and traveled outward to other areas. [...]

[...] The best analogy I can think of is that up to that time the self was like a psychological rubber band, snapping inward and outward with great force and vitality, but without any kind of rigid-enough psychological framework to maintain a physical stance. [...]

It is the self that looks outward. [...]

[...] The effect of looking outward into space, and therefore backward into time, is a kind of built-in convention that appears within your own space-time picture. [...]

[...] Also, I use time terms, since you are so used yourselves to that kind of categorizing, so here we will certainly run into our first seeming contradiction (see the last session) — when I say that in the higher order of events all universes, including your own, have their original creations occurring now, with all of their pasts and futures built in, and with all of their scales of time winding ever outward, and all of their appearances of space, galaxies and nebulae, and all of their seeming changes, being instantly and originally created in what you think of as this moment.

[...] You are much easier now, but at the time, there was an explosion of energy on your part that you did not understand, and you were afraid that in this explosion of energy you would go too far outward and there would be nothing left, so to speak, that you would get away from yourself and lose yourself beyond all hopes of recovery. [...]

[...] Imagine all the energy that is available to you, here now, connected and send it outward to the woman in question. [...]

His rage turns outward as aggression. It is the highest idiocy, however, to project that artificial aggression outward upon the animal kingdom in general. [...]

[...] Using your terms again, and your scientific framework, when you look outward away from your planet, and when you assume that you are looking backward in time, you are simply looking into, or toward, what may be described for analogy’s sake, the center, or core, of an infinite sphere; which exists, you see, in your terms as far on the other side of the inner core, and in all directions. You cannot look away from it, for you are not on any outward edge or skin of it, from which to get such a viewpoint.

[...] Looking from your planet, outward as you think, at the quasars, your scientists believe that they look backward in space, in your terms. [...]

The deeply and strongly dimensioned sphere I used as an analogy for an action, if you recall, for any portion of action; you can now indeed further imagine one entity being composed of such an action, with egos like many faces looking outward in all directions, and each perceiving vastly different fields of reality; looking inward and outward, backward and forward as it were, through and beyond. [...]

[...] Then you might look outward at the day through your mood and see its beauty as a meaningless or even cruel facade. [...]

The same applies in the dream state; but there, the shadows of your thoughts may be projected outward into scenes of darkest desolation. [...]

Do not specifically relate the behavior of the hand with your artistic self or artistic abilities in your suggestions, but in a general manner to the natural health of your being and easy flow of your ideas outward. [...]

[...] You must then turn it outward in this manner. From the wealth of inner data your nature demands that you form new gestalts, and in painting them you automatically relate them outward. [...]

The subconscious has great and rather astounding effect in dimensions other than your own, and it sends vivid projections into these other perspectives, that appear there and are in their turn perceived in distorting manner by the outward camouflage senses of those inhabitants. [...]

There are here in what you call the subconscious, abilities and realities of which you know little, and as you see how the subconscious projects itself into other dimensions, so will you see more clearly how energy is projected outward to form your own world of matter. [...]