“Seth material” search engine (Jane Roberts)

[...] First we try to bring interior knowledge outward into some kind of physical materialization where you can deal with it in terms of sound or vision, and then we try to get you to go inward and dispense with sound and vision, so you are always working in two directions at once. [...]

[...] “A fear of identity escaping and running outward. [...] On the other hand it has always been natural for the personality to turn outward in an easy manner and with exuberance.

(The outward signs of Jane’s trance performances as Seth are very interesting in themselves, and I don’t intend to minimize them: indeed, I describe them every so often. [...]

[...] The mother was expected to bear perfect children and to be subservient to the male, at least in outward fashion.

The Christ drama is a case in point, where private and mass dreams were then projected outward into the historical context of time, and then reacted to in such a way that various people became exterior participants—but in a far larger mass dream that was then interpreted in the most literal of physical terms. [...]

[...] If you were allowing full expression of your inner ideas outward along certain lines having to do with your oldest son, you would not have a cold. [...]

[...] They did not learn how to project their energy outward constructively. [...]

[...] I want you to go as far inward for information, inspiration, and data as you are going outward to help others. [...]

[...] Time not only goes backward and forward, but inward and outward.”

This is the ideal circumstance, for when this is the case then the ego listens to the inner self, and then directs its energy outward in a way that is beneficial for the whole gestalt framework. [...]

[...] In other words you are not fated, you see, to always chase this false image or project it outward. [...]

[...] You are so used to the image that you have projected outward that you are uncomfortable when you try to face a situation nakedly without the image. [...]

We quickly learned that Seth regarded physical symptoms as the outward materialization of inner dis-ease. [...]

[...] Time does indeed turn in upon itself, even as it explodes outward from itself. [...]

[...] If a dream object or event does so straddle what you call not only time but space, and if as I say dream objects and creations maintain some independence from the dreamer, then you must see that although the dreamer creates his dreams for his own purposes, selecting only those symbols which have meaning to him, he nevertheless projects them outward in a value fulfillment and psychic expansion.

[...] Far richer, and it turns inward and outward and backward and forward upon itself.

[...] In strict Darwinian terms, man and animal alike had to be turned aggressively outward in the most competitive of physical ways. [...]

[...] It was not fine art but directed outward in obvious fashions in an aggressive sort of thrust, with a particular market in mind, and therefore to you had a masculine quality. [...]

[...] These denied emotional states may be projected outward upon others — an enemy in a war, a neighbor. [...]

[...] Those alive in your terms rely at least outwardly on the spoken word. [...]

To some extent then, physical structures are symbols of psychological structures; and psychological structures are adopted by consciousness and will be projected in many fields, differing in appearance and outward structure, but always following faithfully the inner psychological structure.

[...] When they draw circles or squares, they are trying to reproduce those inner shapes, transposing those images outward into the environment—a creative act, highly significant, for it gives children experience in translating inner perceived events of a personal nature into a shared physical reality apparent to all.