“Seth material” search engine (Jane Roberts)

[...] Not wanting to face such “evil” in yourself, you may then direct it outward and transfer it to another area.

[...] In whatever area you choose, though, you will feel relatively weak in comparison with the strength that you have projected outward. [...]

[...] They can all work in such a way that you deny yourself the use of your abilities — and this in turn causes you to project them outward upon others.

[...] You are then forced to project these outward upon a physician, a healer, or any outside agency. [...]

There is now an earnest desire to travel inward, but in the past the personality was involved with outward communication. [...] The knot of energy, among other things, quite a few other things, is caused by the temporary inability to change the focus of interests from outward to inward methods of communication.

[...] If the energies of the personality were turned further inward, or on the other hand turned further outward toward the outside world, there would be an improvement in terms of additional, recharged energy.

Until this life the communications involved have been in outward manifestation. [...]

[...] The personality stands in an anteroom, with all his knotted energies, in indecision, and will not open the door leading inward, and will not turn in the other direction, in the direction from which he has come, to the door that leads outward. [...]

[...] And what other paths lead you forever outward and outward into what realities that bring you once again inward? [...]

[...] Left leg moving outward. [...]

[...] “The right leg doesn’t want to go back the way it was,” she said, as it moved outward again. [...]

[...] In that their spontaneity so beautifully followed their own order, and the painting seemed to simply flow outward into physical existence. [...]

[...] “My right leg is doing it now,” she exclaimed, and I saw it move outward a little. [...]

Imagine the vision on the board, forming itself and evolving outward into physical reality, and let your fine technical abilities simply help the vision flow outward.

Imagine the inner vision flowing through your mind outward freely onto your board. [...]

[...] Your problem being your overall attitude toward the emotion from which your art springs, for your attitude is then projected outward upon your mediums. [...]

[...] Now your ego, your exterior self, focuses outward into physical reality. [...] It wants to see inner knowledge projected outward onto the physical reality then, to some extent, it will accept it and so through the eons that you know this inner knowledge, this inner vitality is projected outward onto history and onto historical events as you understand them. [...]

[...] They have extraordinary force, and this is the projection from the inner self of this inner light outward onto people and events. [...]

Now this inner drama cannot be understood by the ego, and so it is projected outward into external reality. [...]

[...] But here you were denying your intellectual abilities and projecting outward upon others, a dislike that was of your own making. [...]

[...] I do not begin with the item and reach outward. [...]

[...] In some of them you spread your own root assumptions outward, creating dream images based upon these assumptions. [...]

Your outward physical experiences are also symbolic interpretations of inner reality. [...]

If you look outward, then you see what you have created, all of you. [...]

I want you to travel as far inward as you have ever traveled outward. [...]

[...] If you remember the early portions of our latest book (Mass Events), then this information should fall into place, for consciousness emerged from the inside outward. [...]

[...] He puts his sciences and religions, his languages, together in multitudinous ways, but there must always be a translation of inner information outward to the world of sense. [...]

[...] From your viewpoint in space and time, it seems that planets have come and gone, stars collapsed, and when you look outward into space, it appears (underlined) that you look backward into time. [...]

[...] It interrupts what should be a simultaneous and easy flow of inner impetus outward, in your case outward to physical construction. [...]

[...] However what you call suggestion, left alone, is a part of the inner impetus of action, which is translated in all areas of consciousness outward.

[...] But all appearances to the contrary, the emotions are natural controlling devices that in themselves aid discipline, since they allow for the spontaneous flow of energies outward. [...]

In a manner of speaking, the conscious mind is a window through which you look outward — and looking outward, perceive the fruits of your inner mind. [...]

[...] The conscious mind is particularly equipped to direct outward activity, to handle waking experience and oversee physical work.

The conscious mind allows you to look outward into the physical universe, and see the reflection of your spiritual activity, to perceive and assess your individual and joint creations.

[...] He has only to realize that he can, so help encourage him in aggressively going outward. [...]

[...] As far back as the 613th session in Chapter One, Seth was making statements like this: “Your feelings have electromagnetic realities that rise outward, affecting the atmosphere itself,” but at the time we paid little attention to the implications behind such ideas. [...]

[...] (Pause.) Earthquakes are very often associated with periods of great social change or unrest, and from such locations the fault lines originate and are projected outward. [...]

[...] You help form it, even as you breathe the air and then send it outward again. [...]

[...] And yet, I thought, psychologists talk about projection and transference by which we project our fears outward to another person or object and then react to them.

[...] Here aggressive and destructive energies were unconsciously projected outward, given a pseudo-reality and temporary physical validity. [...]

[...] Instead of projecting them outward as you did in the York Beach images, they are directed to a specific area of the body, or in other cases allowed to wander, traveling troublemakers, so to speak, through the body’s physical system.”

[...] In other instances, the inhibited emotions can be projected outward into other persons, or as in the case of the York Beach images, very charged repressed energy can actually form pseudophysical images which present the personality with the physically materialized image of his fears.

[...] Ruburt should tell himself now that all other tensions can leave through his fingertips, not back up there you see but go completely outward. It will help if he imagines tension streaming outward through the fingertips. [...]

[...] His nature is such that the experience had to be given outward to others, and he knew that in order to do this he had to come to terms with it himself. [...]

[...] The living portions of nature are the result of your own creativity, projections and fragments of your own energy; energy that comes to you from All That Is and goes outward from you, forming its own image manifestations as you form yours.

[...] The fragment elements directed outward by you as a species also add of course to your physical reality, for without the fine balance maintained, and without this cooperation, your particular kind of environment would not be possible.

[...] Your sense of identity, freedom, power, and love would be immeasurably enhanced if you could understand that what you are does not end at the boundaries of your skin, but continues outward through the physical environment that seems to be impersonal, or not-self.

[...] Now when you form it you do so with the inner realization that it reaches from you outward and you expect something to be on the other side, or the bridge would be useless. [...] You are weaving threads of psychic energy, insights, and realizations, and also certain personality characteristics to form this bridge outward. [...]

[...] At the same time, the psychological structure has not reached far enough outward so that he is gathering enough energy from our symbolistic other side: and at times you are asking him to make the leap. [...]

[...] You must look inward with as much wonder as you look outward, and then the two worlds merge. [...]

[...] Some of this assertiveness can be met through artwork but it must be a going- out from self: a self-assertion, an expression of self—but directed then outward.

[...] These repressed emotions, and the whole charge behind such distorted concepts about the unconscious, result in a projection outward upon others. [...]

On a national basis the characteristics or qualities will be projected outward onto an enemy. [...]

[...] At the same time all of those flamboyant, creative, spontaneous, emotional surges that emerge normally from the unconscious become feared and projected outward, then, upon enemies, other races and creeds.

(Very slowly at 11:18:) The conscious mind is an excellent perceiving attribute, a function that belongs to inner awareness but in this case is turned outward toward the world of events. Through the conscious mind the soul looks outward. [...]

Your experience in the world of physical matter flows outward from the center of your inner psyche. [...]

[...] Your feelings have electromagnetic realities that rise outward, affecting the atmosphere itself. [...]

([Eva:] “I did press inward and now outward.”)

([Eva:] “I only press it outward.”)

([Eva:] “Press inward or outward?”)