“Seth material” search engine (Jane Roberts)

[...] In many cases people forget (long pause) their native, natural method of seeing themselves and the world, and turn outward to the stylized version—and in so doing they lose sight of vital portions of their own identities. [...]

Realize that peace—you may use the word quiet—peace or quiet can also be exhilarating and that outward motion need not be, it may be. [...]

[...] Thank God that some god loved itself enough to diversify, to create itself in a million different forms; to multiply, to explode its being inward and outward. [...]

[...] In reality you project your psychic energy outward unto the physical universe. [...]

[...] I said mentally, “Out, out, out,” trying to project my energy outward in a particular direction. [...]

[...] I project all of this outward around me into literally hundreds of brilliant scenes; expressions, I knew, of probabilities, ‘past’ and ‘future’ events, sideways events I can’t even understand … all happening at once, with perfect comprehension of that by the ‘anchor’ dream self. I feel that while all of this is still coming from this anchor self, the selves in these dreams are equally as focused — each of them being dream selves, existing in their universes, and with each of their own connections expanding outwards in much the same way that mine do. [...]

[...] However, by the time we left York Beach, I had tried to suggest to my subconscious, in line with the material we have obtained to date on the value of expectation, that the car would consume less oil than on the outward journey. [...]

[...] These have built up for some time; will now be released beneficially, for all concerned, in springs of enthusiasm and energy directed outward through the teaching encounter.

Outward from your skulls, therefore, into a dimension that has no space or time, in your terms. [...]

[...] The senses are channels of projection by which ideas are projected outward to create the world of appearances.

[...] It was supposed to represent the energy of the entity as it flowed outward through the subconscious to the conscious, in order to construct the physical image and environment in response to the self’s idea of what it was.

[...] It is easy to look outward and accept an authority. [...]

[...] You will extend your consciousness, as you know it, from the self that you know outward and relate to others and understand them. [...]

[...] That man, for all his seeming outwardness, fears to relate himself in a basic manner toward the outside environment.

[...] Philip relates himself well in an outward manner, insisting to some extent that he maintain also his inward integrity. [...]

[...] The individual in physical life shows his surface face, so to speak, outward. [...]

[...] The entire circle consists of those projections outward that form events, as well as the mechanisms by which the events are then physically perceived.

[...] We want a concentration outward now, away from the self, so that the self can heal itself. [...]

[...] Ruburt’s consciousness merged, while still retaining its own individuality, with the consciousness of the leaves outside his window, and with the nail in the windowsill, and traveled outward and inward at the same time, so that like a mental wind his consciousness traveled through other psychological neighborhoods.

[...] While time is not moving in a particular direction, in your terms, each moment explodes outward, or expands outward in all directions.

[...] Apart from that, the legend as picked up, so to speak, by Plato (see Appendix 14) was a precognition of the future probability, an image of an inner civilization of the mind actually projected outward into the future, where it would be used as a blueprint, dash — the lost grandeur, as, in other terms, Eden became the lost garden of paradise.

[...] The true dimensions of a divine creativity would be unendurable for any one consciousness of whatever import, and so that splendor is infinitely dimensionalized (most intensely throughout), worlds spiraling outward with each ‘moment’ of a cosmic breath; with the separation of worlds a necessity, and with individual and mass comprehension always growing at such a rate that All That Is multiplies itself at microseconds, building both pasts and futures and other time scales you do not recognize. [...]

[...] He was aware of himself in a different way, so that, for example, his identification with the self did not stop where his skin stopped: He could follow it outward into the space about his form, and feel it merge with the atmosphere with a primal sense-experience that you have forgotten.

It is as if your present situation and all its physical phenomena were projected from within yourself outward, giving you a continuous running motion picture, forcing you to perceive only those images that were being transposed. [...]