“Seth material” search engine (Jane Roberts)

[...] This aggravated some of his own original conceptions. [...]

[...] If an event were a physical craft such as a spaceship, the EE units would allow it to land in your world, but would not be the original propellants. [...]

[...] But truth involves insights of a most peculiar kind, for they cannot indeed be truly specified, and the more specific you try to make them the more you distort them, or the more you dilute their original power. [...]

Original thinkers, creative innovators, often have their difficulties with their fellow men, even if their careers are backed up by academic credentials, organizations, or whatever. [...]

Now (humorously), I am here, more or less in a recording or in the original, whenever you want me—but I do want to reassure you both that you are indeed doing well.

[...] On the other hand, many of his customers of course must look further, and despite themselves realize that this bit of truth is a pretty postcard, in James’s words, and they yearn for some kind of a deeper originality—an authenticity, a spark of something that will be instantly recognized.

(Seth said that originally the statue was accepted as a gift by a missionary, a Father Hogan, in payment for healing the daughter of a chieftain. [...] Seth said the statue is not an original dating from the 12th century; this one dates from the late 18th century. [...]

(The statue originated in the 12th century, and its name is not the same now as it was, Seth said. [...]

[...] This was its original motivation. [...]

The original intensity behind the construction determines its duration. [...]

[...] It forms its own  pseudophysical apparatus, even as it originally forms the physical image itself. [...]

[...] The can and contents originated in Buffalo, NY, as indicated.

You or your scientists are simply not yet aware of many basic laws that govern such things as my structure, though already some of these are glimpsed by the more original thinkers.

[...] I believe the last name begins with a G, though it is not the original Gardner.

Now: Artificial guilt is still highly creative in its way, an offshoot made in man’s image as his conscious mind began to consider and play upon the natural innocent guilt that originally implied no punishment.

There are here also thrusts in all directions, with certain identifying pulsations that underlie all, and that have their origins within the inner self. [...]

It was necessary for the ego, in its origins, to objectify itself as much as possible. [...]

A battle fought originally by the sea. [...]

He developed this objective manner originally years ago because he feared he could not control his own spontaneity. [...]

(The next original manuscript page, number 3955, is missing. [...]

[...] He has projected upon the present event the picture of his fears, rather than the picture of his original intent. [...]

[...] If nothing else, she said now, the ideas could find their way into Seth’s material — or else they’d originated in Seth material that was innate within her to start with.)

That kind of dream awareness can literally regenerate your life, though the original impact will be forgotten, and the entire event will usually be translated into images before awakening. [...]

[...] The whole nature of your independent and joint creativity involved a retreat from the world that you both enjoyed, followed by, in the case of books, an expression in the world—in which, however, the books appeared in your stead: a way of life that involved usual publicity—lectures and so forth—seemed to threaten that kind of existence to Ruburt, in which he feared expression itself would be diverted, simplified, so that the message that finally did get through would not be the same message at all as the original one. [...]