“Seth material” search engine (Jane Roberts)

[...] Realization of these causes creates an opposing force that can neutralize the original. [...]

They will neutralize the original suggestions. [...]

[...] Yet, at the same time I mean that the sessions are truly original and significant, with their contents offering new creative insights and hope to the human species in a way that most endeavors do not do. [...]

(One might say that Mass Events had its origins two Seth books ago — way back in Volume I of “Unknown” Reality, which Seth finished dictating in June 1974. [...]

[...] Often, for example, a person wanting to die originally intended to experience only a portion of earth life, say childhood. [...]

[...] I thought of returning to my parents’ home in Sayre, and then going on to New York City as I’d originally planned to do before receiving that life-changing call from Ed.

[...] But I’m hardly being original when I insist that each life is so intensely real that it seems most difficult to truly believe that we can have it any other way—let alone have more than one! [...]

[...] The archives contain a complete copy of my original typed pages of the Seth material in its 46 three-ring binders; many editions of the Seth books and Jane’s “own” books in English and in translations; her published and unpublished novels; her journals and poetry; her notes and papers, and mine; various published Seth journals; treatises and websites on the Internet (some nice, some not so nice); plus other relevant, indeed very evocative material like the reader correspondence from this country and abroad. [...]

[...] Theresa Smith showed Laurel and me color photographs of her very original modern art in progress, and talked about her goals. [...]

[...] The sinful-self material represents those ideas that were a strong element in his original belief structures. [...] At certain points, the assimilation of new information is so qualifiedly different from the original belief structure that in order to assimilate it the personality is left for a time between belief systems.

[...] Now those time versions may be entirely different one from the others, and while you certainly initiate your own time version, in terms of usual understanding there is no true place or time in which that version can be said to actually originate (again with emphasis).

[...] Consider art as a natural phenomenon constructed by the psyche, a transspecies of perception and consciousness that changes, enlarges and expands life’s experiences and casts them in a different light, offering new opportunities for creating action and new solutions to problems by inserting new, original data.

[...] Many of his fears originated long before the sessions, of course, and before he realized that there was any alternative at all between, say, conventional religious beliefs and complete disbelief in any nature of divinity.

[...] The thought, the original thought, is retained by A. A, however, forms a thought as nearly identical as his possibilities allow it to be. [...]

In one manner or another, each person mirrors the experience of the world, while also adding to that experience in an original way, impressing reality as no other individual could. [...]

[...] The connection between black and white thinking and creativity is legitimate, but it exists the other way around: as a rule the artist or creative person is (underlined) creative to the extent that he or she escapes black and white thinking, for the creative person deals with syntheses, original versions of reality and the consideration of different groups of probabilities—groups that appear otherwise very unlikely together from the standpoint of black and white thinking. [...]

[...] Originally he set a rather massive assault upon his physical system, that did involve among other things, infection. [...]

[...] I felt, and still do as this is written, that Seth gave only a partial answer to the original question, concerning the purposes and awarenesses of the inner self; I intend to press for a more complete answer.)

(In my original and unpublished notes in Session 520 in Seth Speaks I listed three chances for the fruition of Seth’s prediction: The mention in Cosmopolitan of Jane’s ESP book for April 1970; Tam’s news about New American Library being very interested in the Seth material book; or Jane’s contract for the dream book being in the mail from Prentice-Hall.)

(It isn’t necessary to go into dates and other details here; but several days before we were told that the Bach story’s originally scheduled appearance in late October had been postponed, Jane had a vivid dream giving her that literal information. [...]

[...] It does not occur to you that the original premise or focus, the identification of identity with sexual nature, is “unnatural.” [...]

The conditions do not originate with you personally, though they are at your end rather than at my end, and they have to do with electromagnetic disturbances that are, to some degree, cyclic, and to which you react.

[...] The miraculous and pristine originality of every moment, even as you know it, can hardly be vocalized. [...]

[...] Through the characteristics of the brain, events that are of nonphysical origin become physically valid. [...]

[...] Perhaps cream colored, and originally tinged with gold.

[...] Now basically the original intensity of the charge determines its duration in your time structure. [...]

[...] The Roman soldier understood them far better, for he was originally of their stock. [...]

[...] Now you can grab a hold of the original inspiration for a painting, and ride it outward, or you can look at your own completed painting and ride it inward to its source. [...]

[...] The original intensity behind the construction determines the length of its existence, in your terms, rather than the duration. [...]