“Seth material” search engine (Jane Roberts)

Dreams are an example of mental activity that has its origin within the physical organism, but exists in a dimension which is not mainly physical. [...]

[...] Mostly design, but with bare portions, and originals rather than exact duplicates. [...]

There is no need to search endlessly into the past of this life or any other, for the “original” causes for beliefs. [...]

[...] I’d sat alone in the office yesterday, the date of my original appointment, with no one ever showing up. [...]

(I told Jane that I came up with the idea—hardly original thinking, I said—that we never die even as physical creatures, until we reach a ripe old age in some probable reality. [...]

The waking state, then, has its source in the dream state, and all of the objects, environment, and experience that are familiar to you in the waking state also originate in that inner dimension.

[...] This was accepted originally in this life, but also for other reasons from the past, from his mother.

[...] The thin line data is accurate, since on the original the lines are very thin and straight.

[...] Before that, Marjorie Buck was involved, with the object itself and its origin.

[...] The outdoors reference above stems from Jane’s original mention of a Jungle Gym on page 121, and this would lead to the green data.

[...] The entire framework of a prison — with its bars — is a constant reminder to the convict of his situation, and reinforces his original difficulty.

[...] As you perceive it and relate to it, you begin to question first its origin and then its meaning.

[...] His answers merely reaffirmed the original data. [...]

[...] The small cube referred to a small golden square of sachet, which was originally in the box but not sent to Ruburt.

[...] The error is in the original inability to perceive the correct inner data, the basic underlying psychological structure of consciousness survival.

Since physical environment of itself is not one thing that can be taken with you, but a relationship within a personal perspective, where then does the feeling of consistency of environment originate?

[...] “The value climate of psychological reality” is one of Seth’s attempts to originate something better. [...]

When I asked him in the same session about his evocative use of “fragment,” Seth replied: “That is an original term with me, as far as I know.” [...]

[...] The origin is in yourself, and this is what you have not so far understood.

The origin is not in others. [...]

[...] Hardly an original idea, yet one that I often see ignored in the surface activities of our daily lives. [...]

[...] Those of you who have left organized religions may feel relatively free from what you consider to be the adverse connotations of original sin and the like. [...]

[...] The insight, which is hardly original, popped into my mind when I asked Jane why the healing was taking so long, in response to something she said. [...]

Now because neither of you wanted children, his books were considered part of his wifely duty; substitutes, he felt, that were better than the originals. [...]

As in Seth Speaks and Personal Reality, the usual notes are presented at break times, but I’ve indicated the points of origin of what would ordinarily be footnotes by using consecutive (superscription) numbers within the text of each session; then I’ve grouped the actual notes at the end of the session for quick reference. [...]

[...] Originally I hadn’t planned on dealing with such material in these notes, but after talking it over, Jane and I agreed that it should be given here after all. [...]

[...] Ordinarily we don’t think of those questions — and challenges — as being mystical in origin, not from our Western social viewpoint. [...]

“We love to look ‘backward’ at our animal origins. [...]

(I went on to tell her of my idea that arthritis, for example, bridged all historical gaps and cultures, and that its origin — I think — lay in the individual’s reaction to fear of motion, for a multitude of reasons. [...]

(Both of us—but Jane particularly—had been struck by the unique and original way the writer had put together his selection of words to reflect his chosen reality. [...]

[...] Work — very noisy work, which is to continue for a year — is now underway to replace it.] In Chapter Eighteen, Seth explains the emotional origins of Agnes as a whole, and our personal behavior within it.