“Seth material” search engine (Jane Roberts)

[...] You are already there, but in order to go there, you must start from somewhere. [...]

[...] Part of this has to do also with the fact that his complete support in St. Vincent’s Catholic orphanage was carried on by a religious order. [...]

(Some time later Jane told me she picked up that when Seth spoke Timothy was suspicious—“Seth would speak now, you see, in order to make an impression,” etc.

[...] There were several developments during break, and I’ll try to discuss them in order before we get into Chapter Three. [...]

[...] In order to perceive some of these you have only to learn to change the focus of your attention from one level to another. [...]

[...] There are those who can go from one spontaneous inspiration happily to another equally spontaneous one, and feel no desire to form any kind of art from it, or to order it along the ways of the world.

[...] Back in those days, I wasn’t about to have a trance personality order me about, even for my own good. [...]

[...] Mental enzymes create senses on the physical plane in order that they may be recognized and appreciated by the physical being. [...]

[...] But Jane’s perception of the object was necessary in order for her to give the data pertaining to Barbara and Dick, and her own feelings.

[...] In this context it would seem that Barbara would be the woman in the background, since the actual envelope object was an item of Jane’s. Other interpretations could reverse this order however. [...]

[...] When these become a system of order, however, the original spontaneity is lost, and you project an artificial order that serves to stratify behavior rather than to express it. [...]

[...] There is a kind of larger spontaneous order of which the seemingly unpredictable elements of your world provide their own clues.

[...] I must always pick up multitudinous threads as we go on, in order to make even one point clear. [...]

[...] Jane agreed with my idea that Seth put her into deeper trance in order to allow the material to come through [since it is emotional, related to friends and so forth. [...]

To a certain extent, I must travel from those realities into your comprehension, wrest myself free in order to form an ever-changing, ever-moving, ever-on-the-move entity that can speak here and be there at the same time. [...]

If you deny yourself the direct experience of your own emotions, but muffle them, say, through too-strict discipline, then you can hurt others much more easily, for you project your deadened emotional state upon them—as in the Nazi war camps [men] followed orders, torturing other people—and you do that first of all by deadening your own sensitivity to pain, and by repressing your emotions.

[...] There is no reason, however, why in the future you cannot freely take a month off from sessions in order to quicken your work on “Unknown”. [...]

[...] I was eager to get Jane started on a program of self-therapy through the Seth material in order to help her counter—or at least supplement—the standard rigid medical framework we’ve been encountering for the last month, or since she went into the hospital on February 26, 1982. [...]

[...] You need not deny the physical fact, but if you understand what causes physical facts then you change the direction of your imagination, thought and expectations in order that the following future facts will not be like the ones that so displeased you.

[...] You have chosen for the unoperable intimacy of tragedy and flesh and pain in order to teach yourselves the unoperable exultant nature of your own vitality and energy and song. [...]

[...] You chose “this” probable reality in order to ask certain questions about the nature of man — seeing him where he wavered equally between creativity and destruction, knowledge and ignorance; but a point that contained potentials for the most auspicious kinds of development, in your eyes. [...]

In order to be bigger than me, of course. [...]