Results 81 to 100 of 612 for stemmed:object
You will to some degree learn control amid a conglomeration of energy forces that have no objective form. All objects as you know are energy. If the energy is focused in a particular manner, then you have physical objects within your system.
[...] You will be aware of the mental energy and psychic force that gives all objects their existence.
There are also potential objects. [...]
(Tracings of the postcard used as object in the 66th envelope experiment, in the 278th session for August 8,1966.)
(“A miscellany of united objects or images, of small patterns like dots but larger than small dots. [...] Excellent data, and Jane did everything but name the object as pepper. [...]
(The 82nd envelope experiment had as object common black pepper, poured into the inner of the two regular sealed envelopes we use. [...]
A miscellany of united objects or images, of small patterns like dots but larger than small dots. [...]
(The “object" was, as stated, common black pepper. [...]
[...] “A circular object of sun or moon shape” does not mean anything in particular to us, although on the walls at the Inn were various circular objects, such as clocks, a barometer, etc. [...]
[...] We can see the connection with the Roy Fox data however, since Roy made the block print; his name is also on the test object. We would like to know why Seth chose to use Roy’s name as a springboard, however, instead of sticking to the test object.
[...] The test object sealed in the usual double envelopes was a woodblock print, made by an artist friend of ours, Roy C. Fox, and enclosed with Roy’s Christmas card of last Christmas. [...]
[...] This is not to deny the human aspects of the ego, for the ego is also somewhat like a light carried in front of the inner self, a light that gives meaning to the physical universe and to its objects. [...]
[...] A rectangular object. [...] The object came from that door. It was mailed or sent, or the object is connected with an item that was mailed or sent.
(See the copy of the object on page 269. [...] The note used as object concerned work we had been doing with the pendulum recently, and which has also been discussed to some degree in recent sessions. [...]
(The object for the 83rd envelope experiment was a note Jane wrote to me today; I found it on the table this noon upon returning from work, left there by Jane shortly after 11 AM. [...]
He developed this objective manner originally years ago because he feared he could not control his own spontaneity. [...]
Scientists look for the objective most of all, and clear-cut cause and effect. [...] It has a subjective rather than an objective basis.
[...] They die because of emotion and belief, and because there is a subjective rather than an objective time for dying. [...]
[...] In the meantime, they might have hired detectives, and all objective avenues may have yielded no results, until by chance they meet at the corner grocery.
[...] You think that it is organized along mechanical lines, or absolute lines, or objective lines, and that any intents that you have exist almost in spite of the organization of the universe.
Your own focus is so precisely and finely tuned that despite all of that activity, objects appear solid. [...] Now objects are also events, and perhaps that is the easiest way to understand them. [...]
In somewhat of the same fashion the objects about you are constantly in motion, as you know. [...]
Remember that you are also objects, and also events, and as physical bodies your organs are also composed of atoms and molecules whose motion, again, is directed by the electrons.
Matter is continually created, but no particular physical object is in itself continuous. Change in a particular physical object is not change as you conceive it. There is not, for example, one particular physical object that deteriorates with age. [...] This appearance appears, that is, this physical object appears to change and to age, but the material does neither. [...]
Again, no particular material object exists long enough, as an indivisible or rigid or identical thing, to change or age. [...] Each re-creation after a certain point becomes from your standpoint, less perfect; and after many such complete re-creations, that have been completely unperceived by you, then you notice a difference and assume that a change in one object has occurred.
Any material object is being constantly recreated, according to a form that may appear rigid and fairly permanent. [...]
The actual material that seems to make up the object has completely disappeared many times, and the pattern been completely filled again with new matter.
[...] As stated, the envelope object had good emotional connections for both of us, with the added connection of the dream material mentioned on page 260. [...] It will be noted that his data moved between the fact of our being strongly concerned about the license plates, and the experimental object itself, which was picked up as the focal point of our concern.
[...] The test object is a leaflet concerning highway signs to be used in case of an atomic attack. [...]
(I folded the object once, placed it between the usual two pieces of Bristol and sealed it in the usual double envelope.
Now when I first spoke of the inverted time system, I spoke of it as if it were apart from your own time system, to enable you to see it with some objectivity. [...]
Objects and conditions within the habitual environment become changed with various emotions, to which you can then rather automatically react, without questioning their validity. Free from these charged objects and conditions, the same response you see may suddenly strike you with surprise, and you will question it. [...]
[...] Once projected upon the objects, they become part of the objects until some alteration is made. [...]
[...] I told you why he had them this evening, but then they become associated with certain objects and surroundings, which serve as an automatic perpetuation, you see, in varying degrees.
Simple alterations in the objects can therefore result in a quite real change of pattern, psychic pattern, to disrupt the association. [...]
If you could be more aware of the manner in which other species view physical objects, you would easily see the great difference existing between various constructions of what you think of as one physical object.
The approximations in location, bulk, and seeming durability, make it practical for you to think in terms of an apparent single object. The material that I have already given you, concerning constant creation of physical objects, is of course valid in terms of this newer discussion.
Measurements can be made of one so-called one physical object merely because inner communication is so exact and extensive. In our last session, during a break, Philip mentioned the television set as being one physical object, about which he believed you could all agree in any discussion of size, material, color and dimension.
[...] This is a failure of a different sort, according to whether or not the constructor of the hose is present or still constructing his object. [...] When you cease active construction of an object, the pattern begins to fade but remains inactive.
(As stated on page 21, Barbara did take her own daughter, Lisa, to visit Story Book Land, the subject of the postcard sent to us by Barbara, and used as the object in the 69th experiment. [...]
[...] [The postcard used as object for the session showed Mother Goose.] The Ali Baba display was quite impressive, Barbara said; so much so that she took a picture of Gary, her sister’s young son, in one of the large jars or vases belonging to Ali Baba.
[...] In your terms, over a period of time he pulled his awareness in, so to speak; he no longer identified as he did before, and began to view objects through the object of his own body. He no longer merged his awareness, so that he learned to look at a tree as one object, where before he would have joined with it, and perhaps viewed his own standing body from the tree’s vantage point. [...]
Now he began to draw and sketch, and to learn how to build images in the mind that were connected to real exterior objects in the presently accepted manner. [...] Instead of using whole images he used partial ones, fragments of circles or lines, to represent natural objects.
[...] Man’s initial curiosity did not involve seeing, feeling, or touching the object’s nature as much as it involved a joyful psychic exploration in which he plunged his consciousness, rather than, say, his foot into the stream — though he did both.
(“You could move very heavy objects with it. The objects were levitated —raised up in the air, no matter how heavy. [...]
[...] “And beside that the instruments also set up some kind of extra charge that we don’t understand yet, around objects that were so constructed, like the pyramids,” Jane continued. [...]
[...] “These pyramids were constructed in such a way that they reflect everything else, so that when you look at them you don’t see them as objects. [...]
[...] [Pause.] “All objects have their own sound patterns that help form their structure as much as the atoms and molecules do....”
[...] Objects, as symbols, help construct the very framework of your existence. They, the objects, can then be manipulated quite freely.
[...] As physical objects are symbols, existing as realities within certain frequencies, so there are other realities, of course, at different frequencies; but here objects are not the main symbols.
Objects are the symbols.
[...] You think of thoughts, images, and dreams sometimes as being symbolic of other things, but the truth is that physical objects are themselves symbols. [...]
Even the duration of an event or object in space or time is determined by the intensity of the thoughts or emotions that gave it birth. [...] An event or object that exists briefly in space may have a much greater duration in time. [...] Such an event or object does not merely exist symbolically within your mind or memory — but in your terms its actual reality continues as a time event.
(9:40.) If the doll sat on a bureau and this is also vividly recalled, then the space in which the doll sat still carries the impression of the doll, though other objects may be placed there. You react, therefore, not only to what is visible to your physical eyes in space, or to what is directly in front of you in time, but also to objects and events whose reality is still with you, though they may seem to have disappeared.
[...] They group through attraction, building up areas of events and circumstances that finally coalesce, so to speak, either in matter as objects — or as events in “time.”
Some feelings and thoughts are translated into structures that you call objects; these exist, in your terms, in a medium you call space. [...]
One was that because objects just originate in man’s imagination anyway, there’s always a strong connection between objects and man’s dreams. They act as symbols of inner reality, so it’s only natural that whether he’s aware of it or not, man perceives objects in such a fashion that they also stand for symbols that first originate in his dreams. [...]
This has to do also with larger events that you might for convenience’s sake think of for now as psychological objects—that is, events seen and recognized by large numbers of people in the same way that objects are.
In the past, if people didn’t remember their dreams, they’d project their dream events upon natural events, or read objective events as symbols that would actually express the dream itself. [...]
[...] When it is not recognized, or when the individual looks mainly to the exterior environment as the provider of information, then the dream’s contents are projected onto objective events.
[...] He will always seek security, but he enjoys being the object of a chase of this nature.
[...] The questioner hunts out an object, another personality, when she basically believes the personality is unattainable. [...]
You fear the aggressive portions of your own personality, and instead of allowing these portions to work for you, you are sending them out on a counterfeit journey after an object, another person, with whom you would not be happy, and for whom you have little basic respect.
If the objects used are those to which you are emotionally attached, this will also be of some considerable help. I realize that this would seem to limit the choice of objects which have a meaning for you, and still allow for a variety that is wide.
At least a significant object of some sort. [...] Keep the object in mind, but do not concentrate upon it so intensely that you block out your own emotional, (underlined) vitality.
[...] Turn your emotions towards us, and I think we’ll be able to pick up your objects.