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Please note that in a few instances, page numbers are mentioned in the text for the purpose of cross-referencing material. These page numbers apply only to the page numbers in the trade paperback version.
[...] A lengthy discussion ensued, during which John said that a number of items given by Seth seemed to fit in, stating with the three-men data, the Midwest, etc. John said a number of possibilities are applicable here, and that we will have to wait to see how some items work out.
For many reasons at various periods in your time there has been particular work to be done requiring numbers, a broad stratum, a physical pool, that would serve as a basis for future generations. [...]
(“and numbers in some sort of pattern.” In the lower right hand corner of the back of the leaflet is a series of numbers, code numbers referring to date of printing, etc.
The numbers three and twelve, and an occurrence that was not repeated.
[...] Other designs, and numbers in some sort of pattern.
(“The numbers three and twelve.” [...]
[...] “Number fifty-eight: Are there any more Laws of the Inner Universe, other than those you gave in the 50th session for May 4, 1964?”)
(I asked the question because I thought Seth’s answer to number forty-six, in the last session, touched upon one of those propositions: “The Law of Infinite Changeability and Transmutation.” [...]
(“Number forty-four: If you hadn’t been able to speak through Jane, would you try to do so through another — or are you doing so anyhow?”)
[...] It takes so much physical time to perform any given number of physical activities.
[...] When you are doing any of a number of other things, encounters with others that often appear as distractions, are instead springboards for insights that you may not have had otherwise.
[...] So poetry lately, again, does not fit in, for he must have a certain number of pages to show “that he has used his time properly.”
[...] The impact of all of our books goes far beyond, for example, the numbers sold, and it is in both of your natures (with amused irony) to send forth into your worlds books that are in exuberant opposition to its mass beliefs—(much deeper) so you can hardly expect the readership of gothic novels. [...]
(9:21.) These outposts were situated in many scattered areas, but there were a fairly large number of them in what is now Spain and the Pyrenees. [...]
(9:29.) This is difficult to explain, but they could mentally pitch a thought along certain frequencies — a highly distinguished art — and then translate the thought at a given destination in any of a number of ways, into form or color, for example, or even into a certain type of image. [...]
[...] They were limited in numbers and largely cut off from the main areas of their own civilization. [...]
[...] The color however, its value of intensity, served to further refine and define — for example, either by reinforcing the message already given by the objective value of the lines, angles, and curves, and by the invisible word messages already explained; or by modifying these in any given number of ways. [...]
[...] The number five was on the calendar side, in the upper center. Directly back of the number, on the other side of the paper, were two buildings, one an erected house, with just above it a floor plan of another. [...]
[...] Seth stated that his mother “was fascinated by numbers,” loved the color blue, and was inordinately fond of flowers. [...]
The number five, and several buildings. [...]
[...] Did I mention the number five?
The numbers 175 and 377, I believe. These could be page numbers, I do not know. [...]
(When we got up this morning cat number two was nowhere to be found. [...] After I left, she found cat number two in the yard. [...]
[...] (Pause.) The number 17, a date in July which will be significant to him, or his close family—not necessarily to him, you see. [...]
[...] The three sections of milkweed pod shown are made up groups of lines; each group contains about the same number and arrangement of lines, whether one would consider them black or white. [...]
(“Also the number 9.” In the upper left-hand corner on the back of the object, in very small type, is the number: Part 999-30.
There is no basic difference you see between a hallucinated object and a so-called physical object, except for the number of persons who perceive them.
[...] The numbers five six…
(“Number twenty-three: Are you in contact with, or speaking through, any other humans as you are with Jane?”)
(“Number twenty-four: Does Jane ever prevent your coming through when you want to?”)
[...] “Number twenty-five: Do you have any physical fragments of any kind still here on earth?”)
(“Number twenty-six: Are animals fragments of human beings?”)
[...] There may have been a small series of numbers in each of the four squares—several numbers, perhaps. [...]
[...] He saw your form number two as described earlier, in which you were also traveling, you see. [...]
[...] The number three, referring to a day or a month in connection with the initials, and something a score of times.
[...] That genetic information can, for example, be put together in an infinite number of ways. (Long pause.) The species cares for itself in the event of any possible circumstance, so that the genetic messages also carry an endless number of triggers that will change genetic combinations if this becomes necessary.
[...] (Long pause.) In human beings the genetic structure largely determines physical characteristics such as height, color of eyes, color of hair, color of skin—and, of course, more importantly, the number of fingers and toes, and the other specific physical attributes of your specieshood. [...]
(A close friend, one who used to attend Jane’s ESP class, had called our unlisted number to ask one of us some psychic questions. [...]
(Sue sat just opposite Jane, and I gestured for her to number the symbols when Jane lay the pen down and began to describe them for Seth. [...] Tracings of the symbols are shown below, numbered in the sequence in which Seth-Jane produced them.
Now, number one is an attempt to get at number two, which was simply a sign of a copy made, a distorted or doctored copy. [...]
There is something highly important here concerning your technological civilization: As your world becomes more complicated, in those terms, you increase the number of probable actions practically available. The number of decisions multiplies. [...]
[...] The self as you think of it is literally reborn in each instant, following an infinite number of events from the one official series of events that you recognize at any given “time.”
More and more, you are beginning to deal with probabilities as you try to ascertain which of a number of probable events might physically occur. [...]
2. A number of our friends — some of them members of ESP class — helped us move on Saturday, March 15. [...]