“Seth material” search engine (Jane Roberts)

Lately, when he lies down, and the pressure is off, his hips, hip joints, and hamstrings have begun new adjustments that are at a certain level uncomfortable—but because that frightens him the discomfort is more than it would be otherwise. [...]

[...] They will continue with different sets of muscles and ligaments—but first the initial groups had to stabilize while other portions learned to accept the new balance.

[...] In line with new attitudes, I was “responsive”—anyhow Seth came through with a terrific short session; I enjoyed myself; we liked Fullers. [...]

You both know what love and hate are, but as I told you earlier, try to think in new ways. [...]

[...] Looking back, we can see what a chore it must have been for Seth to introduce us to ideas that were very basic — to him — and quite new to us. [...]

[...] Rob and I had discovered a whole new world together, and we were going to explore it.

[...] This is not to say that the experience did not cause certain strains and stresses that could accompany any worthwhile venture in an entirely new field.

(The session was also witnessed by Estelle and Dave Craig, 1750 E. 21st Street, Brooklyn, New York. The Craigs drove up from New York City late this afternoon to attend the session. [...]

[...] Dave is a disc jockey, and had auditioned for a job in New York City today. [...]

Good evening to our new friends and to our old one. [...]

[...] Between one normal minute and the next, a fantastic avalanche of radical, new ideas burst into my head with tremendous force, as if my skull were some sort of receiving station, turned up to unbearable volume. [...]

[...] I went plummeting through a leaf, to find a whole universe open up; and then out again, drawn into new perspectives.

[...] The manuscript finally consisted of about a hundred pages, including new definitions of old terms. [...]

[...] About this time I was also looking for a new book idea, and Rob made the suggestion that was to lead us further and further away from the way of life we’d always known.

[...] The creative act involves you in a process whereby you bring from a mental dimension new events into the world that were not there before.

[...] You would be led to make proper suggestions, for example, ahead of time, or the creative process of someone in the art department would suddenly be stimulated to a new idea, or whatever. [...]

[...] But each time a new book came out she got worse. Near tears, she said that she didn’t have to get any worse when a new book comes out — what’s left? [...]

[...] Seth told me I would become a very well-known painter; Ruburt, he said, knew nothing about artists’ agents or their locations in New York City, he said for the record, adding that there is an agent on 62nd street who can be of great help to me. [...]

(Seth said Jane and I should make a trip to New York this spring whether we are asked by anyone or not, meaning Jane’s publisher principally. [...]

[...] All That Is can never know itself completely, since action must always act and each action creates a new unknown.

Action must then travel through itself from every conceivable point, and yet the journey, you see, itself being action, will create new paths.

I also perceive that your world will be touched by many exciting events in the following year, as many countries change their alliances, and new groups of allies form. [...]

[...] Again, this is a new thought in the material. [...]

[...] The old established explanations had faltered, and finally seemed almost incomprehensible, while the new explanations of Seth seemed beyond my reach, at least in certain areas—areas that were vital to physical and psychic peace. [...]

[...] We were living in Sayre, Pennsylvania, a middle-class railroad town in which I’d grown up, which lies only 18 miles southeast of our present home in Elmira, New York. [...]

[...] The feeling in the knees is most encouraging, and represents the new activity of joints coming to life again, as the result of the new responsiveness of those neck ligaments.

[...] The finger that has so upset you both (Long pause at 8:37, leaning to her right, dozing....) I keep trying to explain the magical approach in new ways, to bring home its great effectiveness. [...]

(9:01.) I will help you initiate a time of new dedication, so that these feelings and ideas become focused even more effectively in your lives. [...]

(A note added 33 years later: This session will be presented with the eventual publication of the ESP class sessions by New Awareness Network, Inc.)

Now some personalities from one system aid other personalities within other systems, but highly developed personalities, those in your terms so far advanced, will set for themselves the task of aiding an entire civilization; of assisting the development of a new system, and sometimes initiating the existence of that system.

[...] Now in such a case, often the illness represents a new unifying system. If the old unifying system of personality has broken down, the illness, serving as a makeshift, temporary emergency measure may hold the integrity of the personality intact until a new constructive, unifying principle replaces the original.

[...] He said that the green jacket represented a new ability that had been mine in a past life but which I misused, this new ability was now waiting for me to claim. [...]

[...] As it did, I asked, ‘Seth, will I ever understand this?’ The answer was lost except that I felt that the ‘new knowledge’ received in the lecture I could not hear was healing me and that as a wife and mother I was freer than I ever was before.

[...] It has no fear of destruction, for it is also a part of the destruction from which new actions will evolve.

[...] I was afraid the new ones, a dark bluish color, would make the room too gloomy. [...]

[...] No doubt about it, good things were taking place, new things that had her upset and anticipatory at the same time. [...]

There is no doubt that Ruburt’s right leg manifested important new motions yesterday. [...]

In the next scene, you have the introduction of the artistic ability, however, personified by your friend of your younger New York artistic past. [...]

[...] A potential that belongs to all of art, whatever its nature, since it is daring enough, free enough to fly ahead of man’s needs at any given time, and to create a new atmosphere that transforms the nature of being itself. [...]

I may indeed dictate a new letter to you (as Jane said recently), to make our position clear, but Ruburt’s main position is not one of service: it must be one of pleasure and creativity. [...]

[...] I think she came up with some new insights lately, yet she found hints of even those later, in old sessions; we’d just forgotten them.)

[...] Creatively, now, he is always interested in the new book—the current creative act, and he resented feeling that he had to type Psyche while not having current sessions. [...]

There are “evolutions” in our work and in your own work that are in the offing, and a new book for Ruburt if he remembers the playful attitude.

You are both learning new methods and approaches, whether you realize this or not. You are learning to utilize energy in new directions. [...]

He breathes a sigh of relief, knowing it is indeed over, simply waiting now for the new growth to come.