“Seth material” search engine (Jane Roberts)

From her mystical orientation Jane chooses what she wants to learn and use from what Seth has to offer. I think that if one isn’t a mystic, such a state of being can only be approximated: There are obviously many variations possible, but the mystic chooses challenges that the rest of us can really understand only in the vaguest of terms. Jane’s mystical creation of her universe is just her own. [...]

I do think that through her mystical understanding and interpretation of our probable reality, Jane has indeed offered much to us, and that she will continue to do so. [...]

(Long pause.) He used dogma in a mystical manner, only to discover, however, that the church’s mysticism had no place to go: it was in its fashion dead-ended. [...]

[...] Ordinarily we don’t think of those questions — and challenges — as being mystical in origin, not from our Western social viewpoint. Seth discusses Jane’s early religious background, her “deeply mystical nature,” in the first session of this volume (the 679th), and I add some material on mysticism in an appendix to that session. [...]

[...] See the verse from her early poem, Summer Is Winter, which precedes these notes.) As I see it, her task with the Seth material is to place these basic artistic ideas at our conscious service, so that their use in our daily lives can change our individual and collective realities for the better; and by “artistic ideas” here I mean the deepest, most aesthetic and practical — and, yes, mystical — truths and questions that human beings are capable of expressing, then contending with. [...]

In the Seth books we’ve deliberately refrained from commenting upon the similarities that exist between Seth’s ideas and those of various religious, philosophical, and mystical doctrines from the Near, Middle, or Far East. [...]

[...] You are told, for instance, that certain objects or images in your dreams have a definite meaning — not necessarily your own, but following whatever psychological, mystical or religious school of thought in which you happen to be interested.

[...] Natural “mystical” experience, unclothed in dogma, is the original religious therapy that is so often distorted in ecclesiastical organizations, but it represents man’s innate recognition of his oneness with the source of his own being, and of his own experience.

[...] The very intuitive feelings behind the writer image were based upon the mysticism of nature, the joy of creaturehood; and yet pursued with too much literal-mindedness, the determination to write, once equated with work, led to important denials in those precise areas.

(10:08.) This mystic projection is a continual activity. [...]

[...] The true artist in those terms was always primarily—in your terms again—a psychic or a mystic. [...]

Now the church finally placed all of the condemnation of its religious laws against certain psychological and mystical experiences — not because it did not consider them realities, of course, but precisely because it recognized too well the disruptive influence that, say, revelationary experience could have upon a world order that was based upon a uniform dogma.

All personal contact with the multidimensional God, all legitimate moments of mystic consciousness, will always have a unifying effect. [...]

A thought, in those terms now, is as physical as a foot—and a foot is as mystical as a thought. [...]

[...] Ruburt as a child was highly mystical, and also overly conscientious and overdemanding of himself, and afraid of his own spontaneity and natural appetites.

[...] The environment portion will come later, and you will sense the environment something like a mystic arrangement that a given personality throws about the world around him.

(Much of Jane’s day had been made up of a series of altered, and at times even near-ecstatic states of consciousness, each one expressing a unique and creative facet of her essentially mystical nature.¹⁰ Even though not at her best, she’d been able to draw upon lavish amounts of energy. [...]

10. See the material on Jane and mysticism in Appendix 1 for Volume 1.

2. At times after Jane began to really show her physical symptoms, my awareness of the fact that basically she’s a mystic became submerged beneath many other more “practical” matters. [...] She doesn’t use the word in connection with herself, yet I think that Jane’s mystical nature, which is so at odds with the realities most people create for themselves, actually offers the only real framework for understanding her physical condition, her choices, in our probable reality.

[...] As a mystic she can have motivations toward exploring certain avenues of the human condition that most of us don’t have. [...] Jane used to say to me: “I told myself that if I let myself do that, then I’ll do this in return,” One can say that that kind of equation hardly represents a mystical view, yet I know that in her case it does. [...]

[...] Not that all of our friends hadn’t known of Jane’s physical symptoms for some time, but that Jane, with her innocence and determination—and yes, her mystical view of temporal reality²—had for the most part refused to put herself on display, as she termed it: She felt that she should offer something better to herself and to others, even with all of the intensely creative work she’d done for herself and for others over the last 17 years.

[...] Her art contains a charming, innocent, mystical freedom that I envy. [...]

[...] (Pause) Some connection here with the first historical personality whom we have run across: a very far distant connection to Joan of Arc, on the mystic’s father’s side, twice removed. [...]

Such an encounter with the psyche is often met by great artists or writers, or by mystics. [...]

[...] In a fashion the material returns him, however, to a natural yet mystical inner knowledge of his childhood before (underlined) he cloaked it in the church’s robes, and it would be good for him to remember that and perhaps try to recapture some of those very early feelings that he has consciously forgotten. [...]

Ideas of the “wise old man,” and similar legends apply here, as do the mystical concepts of the powerful old woman. [...]

Your original purpose was the purpose of the creative artist or of the mystic, and that kind of purpose automatically brings you in rebellion against official authority. [...]

[...] A very far distant connection to Joan of Arc, on the mystic’s father’s side, twice removed. [...]