“Seth material” search engine (Jane Roberts)

[...] Wayne represented feelings about the male that you received in your background from your father, and through boyhood movies, in which the male could afford affectionate behavior or conversation—only with his horse (with amusement). [...]

It was hardly a coincidence that this particular situation arrived in the social climate first of all portrayed in a movie.

[...] Now your TV dramas, again, systematically show your old Frankenstein movies just when your scientists are contemplating all kinds of experiments supposed to bring forth life. [...]

People may have some glimmerings of their own reincarnational existences, but they are patterned according to current beliefs—fleshed out by ideas from movies or history books. [...]

[...] It was something like attending an inner movie. [...]

[...] Could I have seen an old movie when I was a child, forgotten it, and then hallucinated scenes from it, all without knowing?”

(To Gert.) Now I thought my pictures were very good, and our movie-taker over here, if not expert, most acceptable. [...]

[...] The brain like the movie screen gives you a physical picture, in living stereo (humorously), of inner activities that nowhere themselves physically appear.

[...] This does not seem to be a movie film. [...]

[...] I think there’s a funny association there also with old movies. [...]

[...] He will be connected with Seven and a movie. [...]

[...] The particular, brilliant, intensified flowering of painting and sculpture that took place, say, in the time of Michelangelo (1475–1564) could not, in your probability, have occurred after the birth of technology, for example, and certainly not in your own era, where images are flashed constantly before your eyes on television and in the movies, where they are rambunctiously present in your magazines and advertisements. [...]

(In addition, there is the interesting news from Alan Neuman, regarding his giving Seven to a well-known movie director, as well as showing it to another agent, etc. [...]

[...] The events may be used in any way the individual chooses; altered, played back the way they happened for contrast; the way, perhaps, an actor would play an old movie in which he appeared over again in order to study it. [...]

Many — not all — plotless novels or movies are the result of this belief in man’s powerlessness. [...]

[...] By now, I was conscious enough to sit with her through the balance of a dated mystery movie starring Rock Hudson. [...]

[...] Then she wrote in her journal on the 24th: “I was looking over Seven Three for the first time in 14 months when sub rights called about the movie contract for the first Seven—so that’s no coincidence! [...]

[...] It has been an extremely slow-moving project, but The Education of Oversoul Seven may yet be a movie.

[...] The affair involved an excellent TV movie on reincarnation we saw last night. In the dream experience I think I was considering doing a book, a sequel, to the movie—but I was also seeing one or maybe two reincarnational lives of mine, seeing how a belief in reincarnation helped open a sense of the future in the present: I was learning how to visit those lives, which were still happening and for which I think I yearned—without dying in this life. [...]

[...] After breakfast she wrote a very rough account of what she can remember.¹⁹ She thinks the experience was triggered by a television movie she watched last night. [...]

“I equate all of this with three events: a movie I saw on TV the night before last in which the hero finally saw through the god of his people; a Raggedy Ann doll Rob found in the backyard the other day and brought in (it was probably dragged there by a dog, its right arm is missing)—but it reminded me of my old Susie; and part of a review I read yesterday of a book about death.

[...] Royalties, prime-time TV series, movies, TV specials—there was no area in which the family wasn’t making incredible amounts of money. [...]

[...] We were also hungry, so we thought of ending the session and watching an old mystery or horror movie on TV while we had something to eat. [...]

[...] You are of course familiar with the difference between the early movies, the stills without sound, the grotesque jerky motions, and the latest Technicolor achievements, with whatever embellishments have been added. [...]