“Seth material” search engine (Jane Roberts)

(I told the women that Jane and I were getting tired of such activities going on behind our backs, and that now I wouldn’t make a move without legal advice. [...]

[...] She seemed receptive when I explained our need for privacy, that it was vital therapy, and talked of moving Jane directly into a private room. [...]

[...] As I told Jane when I got back to 330 around 3:00, all even the Infirmary wants is the money—that’s why they’re suddenly interested in her, because her name is moved up the list, and they know that somehow they’ll make a profit on the deal, either through self-pay, insurance, or whatnot. [...]

[...] Ruburt will not be forced to take any steps toward moving to another location, without his consent and approval—underline approval. [...]

[...] Jane sat quite still for some few moments; when I noticed her seeming to grope for words, soundlessly moving her lips, I felt Seth’s entity would give the session. [...]

[...] Jane’s lips moved over soundless words several times. [...]

(Leaning forward in her rocker, eyes closed, Jane was now slowly moving her torso and head about. [...]

[...] Actually they did not move that I could see.

[...] The inner self moves by moving through intensities. [...] … To move through intensities within the electrical system gives the result, in the physical field, of moving through time. [...]

Now, you experience action as if you were moving along a single line, each dot on it representing a moment of your time. But at any of these ‘points,’ action moves out in all directions. [...]

[...] But because of the infinite range of intensities available, each individual has limitless intensities within which he can move.

[...] They move, speak, walk, run. [...]

I will say that you are afraid to move (job). [...] When you decide that you are free to move, the foot will then clear up. [...]

[...] The freedom and the feeling of freedom to move is the most important aspect in both cases. [...]

Moving the imagination in that direction is highly important. It is indeed possible for you two to do this — that vital move of creative, imaginative motion.

[...] Her legs and feet moved pretty well.

(First we concentrated on trying to move a small brass ring lying on the table between us, without success. At times the moving shadows gave us the illusion that the ring did move. [...] It did not move. [...] Again, the changing shadows gave us the illusion that the rocker did move slightly at times.

[...] The group was not with us when we tried moving the ring; it was with us when we concentrated upon the rocker. [...]

[...] Hand moved of own accord.

[...] They appeared to be moving about. [...]

(I must admit that the moving idea—to Sayre, as Jane has been mentioning lately—hadn’t occurred to me. [...] I think that my appreciation of wildlife has grown considerably since we’ve encountered so much trouble physically in our own lives: the sheer ability to move with nature’s grace and skill has gradually become very important, and to me the animals express this quality perfectly: the ‘coons, the deer, the dogs, cats, rabbits, mice, chipmunks; the birds, and yes, even the insects....)

[...] This will give her more freedom to move in bed. [...]

[...] The idea of moving is (underlined) an excellent one, because it symbolically reorganizes your life in new patterns, and releases “energy” that has been stuck in old arrangements. [...]

The energy that moves the universe is the same that moves your hand now. [...]

(Saturday, also, the nurses told us that it’s now been decided by administration that all the people who were moved out of Surgical 3 are now to be moved back first of the week. [...]

[...] She also said that both arms definitely move more easily and through a wider range than they used to even recently—another good sign. [...]

You see, he was afraid that he moved too fast for his own good, that to move too fast was irresponsible. [...]

“I move too fast.”

It is easy enough for ordinary people to move (pause) without questioning, but in full acceptance that such motion is a natural characteristic. It only becomes difficult to move when one begins to question the nature of motion, or overly is awed by it. [...]

[...] Jane showed me how both elbows have loosened up enough so that she can move her forearms down another inch or so—a good sign, I told her. [...]

He functions in a nightly dream world in the same fashion, and only when or if you begin to distrust dreams do you hesitate or falter, or feel afraid to move, and also feel as if you are caught in a nightmare. [...]

[...] Meaning that he is tired of the same old beliefs, and ready to move out of them. [...] Literally, you are no longer afraid to move, and that includes many areas.

[...] You tell Ruburt to keep it a secret from Leonard that your rent was raised, or you might move—good God!—while your most intimate personal beliefs and inspirations are given to the world. [...]

[...] He feels free to move, and that symbolically and literally means a new “place.” [...]

Now however, the sooner you move the better, taking your drawings, et cetera, into consideration. [...]

[...] The girl’s violet eyes stared down at me as though they would move behind their violet glasses at any moment. [...] The flesh and hair and sweater looked alive even though they never moved. [...]

[...] In this portrait the man looks off to one side—yet those eyes too were on the point of moving. [...]

I worked on the essays in succession, just as they’re given here, although I found myself adding to the earlier ones as I moved into the later ones. [...]

Yet, Jane and I were being creative with it all—the whole time—and moving several stages closer to understanding All That Is in the process. [...]

[...] We adjusted in ways that a few weeks previously would have seemed unbelievable to us—and, ironically, as must often happen in such situations, once we’d moved into our new joint reality, it appeared that those particular challenges had always been incipient for us.

To a certain extent, I must travel from those realities into your comprehension, wrest myself free in order to form an ever-changing, ever-moving, ever-on-the-move entity that can speak here and be there at the same time. [...]

[...] Take your theaters’ moving picture dramas. [...]

[...] In a fashion they practiced dreaming in their sleep, and thus learned also to think (underlined) in terms of the measurement of physical images, and to move objects around in their minds before they did so physically.

(10:40.) Their conscious decisions for making numberless moves, for example, changing jobs perhaps, and the literally numberless decisions involved, were all made consciously for different reasons. [...] They could not then see the entire picture, or understand for example that a seemingly innocuous, or even a seemingly unfortunate event, that led from a move to one place from another, had anything to do with the search.

[...] The power that moves the world does not come from the world, but at each moment comes into the world. [...]

Certainly, when finally the two moved to the same street, neither thought of looking there, consciously. [...]

[...] They moved in and everybody could have coexisted together but it just didn’t work that way. [...]

([Joel:] “But you didn’t care if the Indians lived or died or survived or moved out or what happened?”

[...] I think maybe you’ll move to get rid of the emotions that I sense you’ve got.”

[...] He is not moving that fast bodily, but his eyes are newly accustomed to faster motion. [...] When he sat, he moved his entire head. [...]

Ruburt’s room is highly important for many reasons in your home, and he is moving about more naturally.

[...] Ruburt experienced that with the sudden fast arm motion (earlier today), but his eyes were not used to moving that fast.

[...] You are moving into a period where you are becoming more influenced by the future, in those terms, drawn by an impetus you feel but cannot consciously elucidate as yet.

(Actually, I first began moving things to Sayre because we thought we would be moving from Elmira. I wanted as little surplus material here as possible, thinking it would be easier to take our time moving items from Sayre to the new location, wherever it might be.

(“Well, we can move the stuff.”

[...] Actually, I’ve begun slowly moving things back up here to store in the extra room upstairs, now that I have had the lock repaired. [...]

[...] You affect others, and want to move them, and you want to move them in certain directions. [...]

You are in control, you are not moved by other forces. [...]

[...] (Seth now pointed to John Bradley.) And for you, the time to move is not yet.

[...] The time to move is not now. [...]