“Seth material” search engine (Jane Roberts)

[...] They moved perhaps a year and a half ago, and Jane has seen him perhaps once since then. [...]

[...] First, we’d moved back to 458 W. Water — which I seem to do several times a week — and looking out my old studio windows, I saw my father cutting hair like a barber out in the driveway in front of the garage. [...]

[...] Both feet moving well. [...]

[...] I can poke your arm so that you move the knob a bit, but that is all that I can do. [...]

[...] She provides steps of energy that allow you to move upwards, she provides strength when you need it. [...]

[...] This complicated enormously all of our efforts to help her move about the house as she used to in her office chair, which is on rollers, and nearly signaled the failure of our efforts to live by ourselves. [...]

[...] Of the last few months or so I spent at my mother’s house—when she called me time after time during those spring and summer months of 1950: she wanted her pillows turned, she cried out in rage and pain—and here I was some 30 years later, calling out to Rob (voice breaking) to move my pillows or raise my head. [...]

[...] And as before, by the time I left the apartment, the other car had been moved.

[...] She did not see the car that had been blocking my way, for it had been moved by then. [...]

(These notes hardly do justice to the string of events that led to Carol and Fred meeting Miss Dineen—from the couple’s leaving Watkins Glen, motoring to Elmira, deciding upon how to find us, asking a policeman finally for directions to a book-store, going to the wrong bookstore—Rubin’s—just as Miss Dineen came out of the religious bookstore almost next door, Miss Dineen first directing them to 458 West Water, then remembering that we’d moved, etc. [...]

[...] Carol had met an individual named Ron who had visited us here at 1730 two years or so ago—not long after we’d moved in, incidentally. [...]

[...] The traveler could hardly move in on one of his or her own personalities! [...]

[...] To venture into such a skein requires that one constantly picks and chooses among them—for each move, each thought, even, can launch the traveler into a different probability. [...]

[...] One ought to be very careful about assigning past and future status to various portions of a self, for ultimately, as one moves further into the spacious present, such constructions as the past, present, and future begin to melt away. [...]

[...] Not only does Seth stress the constant psychic motion of reincarnational and counterpart selves upon this earth we know—but he also tells us that each of those selves can move into other or parallel realities. [...]

[...] You usually do not realize that your physical body is created by you at each moment as a direct result of your inner conception of what you are, or that it changes in important chemical and electromagnetic ways with the ever-moving pace of your own thought.

The boxcar elements, beside the explanation already given, also represented the body as a vehicle, moving easily and swiftly. [...]

(Long pause.) Ruburt had a dream with excellent connotations, in which he looked through a beautiful old house of lovely carved wood and spacious rooms, and decided to move into the house, even though it was in an area that had previously nearly been condemned — signifying that he was indeed rising from beliefs that he condemned into a larger, spacious area of expression.

(To Ned:) My nose, young man, is not a moving picture machine. [...]

[...] You were born with a desire to fulfill your abilities, to move and act in the world. [...]

[...] When he wanted to look up or down or around, he would move the entire head, neck, shoulder area, rather than, for example, rotating the eyes.

[...] His weaknesses were out in the open, dramatically presented, and from that point, unless he chose death he could only go forward: for suddenly he felt that there was after all some (underlined) room to move, that achievements were possible, where before all achievements seemed beside the point in the face of his expected superhuman activity. [...]

[...] Let her be moved there.” [...]

[...] He also told us that he did have a room like the one Seth mentioned, and that Sally had been moved into it.

But Sally was in such terrible condition, going blind, unable to speak or move voluntarily. [...]

(Seth used Jane’s pillow data to go on to explain that she had a habit of sleeping with her hands tensed, or sometimes clenched, and that this allowed tension to move up her arms, across her shoulders and into the upper back and neck. [...]

(Without opening her eyes, Jane held the envelope before her in a horizontal position, and moved it from side to side to show horizontal movement. [...]

[...] As stated on page 321, Jane held the rectangular double envelope up with its long edge parallel to the floor, and moved it back and forth to indicate most definitely her insistence upon the horizontal attribute. [...]

[...] There is always in such a condition the struggle between the desire to move quickly, and the fear of movement. In such cases the desire to move is paramount ... [...]