“Seth material” search engine (Jane Roberts)

[...] Arms and hands and head moved also.

Tell our friend however that when he is light-hearted he is light-limbed and moves lightly. [...]

[...] On the other hand the moving of the bookcase to divide the work area showed even before his novel idea that his spontaneity was emerging fully within his work again, and that the work area was therefore to be separated from social activities.

[...] The table appeared to move and tilt although her hands barely touched its top. [...]

(Last night Jane was especially aware of her success at concentration in getting the table to move.)

[...] And I really feel that according to whatever terms we want to use, this is God’s great motion, moving and supporting me. Just as it moves and supports all of the earth. [...]

[...] Rob said something earlier tonight about the letter from John Nelson seeming to be a good sign—and it is a sign, and a potent one, and I feel that Rob’s working on Seth’s book, and my own writing and my own bodily behavior are supported, again, by that great motion, which moves us in the proper directions for us. [...]

[...] He was not ready to make the move.

[...] The apartment situation was another symbol for moving—the physical one of impasse. [...]

It is important that you feel free to move in all areas, and see the connection between all kinds of mobility, and face Ruburt’s practical considerations about turning down one contract while thinking about purchasing a house—and that is it for this evening.

[...] 2. Why does she move so slowly about the house, especially when getting up from chairs, etc.? [...]

[...] He is free to move in that regard.

Before, he was even unaware of what he was blocking out—the desire to move, to wash a window, to go outdoors.

[...] But the pointer began to move.

In the meantime, when incarnations on the planet earth are finished the entity moves toward this goal anyway. [...]

Your dancing represented the first move away from what those images meant, and violent action was the best thing under the circumstances. [...]

[...] But when you decide to move you are putting yourself in league with others who also make the same decision. Someone who moves will leave a house or an apartment vacant for someone else to move into. [...]

[...] They may be emotional rather than intellectual, as you understand those terms (pause), but they are restless, usually on the move. [...]

Now: You chose your present neighborhood particularly because when you moved here (from Sayre in 1960) it was highly professional. [...]

[...] Mr. Stein, incidentally, teaches in Elmira — hence the decision by him and his wife to move here and so eliminate his workday traveling between Sayre and Elmira.

Then the little pointer moved,
As if a thousand molecules grew legs,
And carried it upon their backs,
Lightning-fast across the board.

“You’re moving it,” I shouted.
“Hon, that isn’t fair.”
“What a riot.” [...]

[...] You cannot see through, but the two planes move through each other constantly.

[...] I have initiated the idea of motion, for true transparency is not the ability to see through but to move through. [...]

You expected too much when you moved here. [...]

[...] It is in this regard that you found the presence of your husband distracting when the two of you moved. [...]

[...] You were disappointed, then, shortly after you made your move, and you began to retreat. [...]

[...] You feel to some extent like a hypocrite because in, I believe, New Jersey, at least before you moved here, you spoke of your writing but you did not work with it in an organized fashion. [...]

Action does not always move in what you would consider a straight line. [...]

It is most important, again, to realize that action does not move in a straight line. [...]

[...] The sister, who is your present mother, married one of the cousins and moved to France. [...]

(We moved the pointer to the word good-bye on the board.

[...] When we moved in to our present apartment, the kitchen held a stove and a small refrigerator that didn’t begin to hold all our food. [...]

[...] He made a few kindly but definite statements to the effect that we should know better, and suggested that the appliance be moved into the kitchen, where it would hold all our refrigerated food. [...]

The next day we moved the big refrigerator. [...]

[...] We were afraid to move because it was very slippery.

[...] I also realized that I could move more easily on this slippery roof than I had thought possible.

[...] Because your parents rather than his were involved you felt sadness and concern, because such a move on your part, you felt, would be unfair.

[...] Feeling of motion, and the mirror scenes also move.”

[...] I am not satisfied with the leap, so move “backward through the air” to my original spot, and do the whole thing over. [...]

[...] Then I check, moving closer to the other room. [...]

[...] He could theoretically move to a better vantage point in the twinkling of an eye, relatively speaking, but for now we must largely use analogies. [...]

[...] I also knew that by an act of will I could ‘swing’ the lights around in front of me if I wanted to, and I tried enough of this to verify that it was possible: As they moved the lights began to grow even more powerful—enough to quickly convince me that I didn’t want to confront their glare full blast, even with the shades.

2. We moved from our downtown apartments into the hill house almost five years ago (in March 1975), but Jane thinks she tried to write the poem Seth referred to several years before that. [...]

[...] The sketch took but a few minutes because she moved so frequently, and I was much amused at her restlessness; this mirth plays a part in the experimental results. [...]

[...] Perhaps money must be put into the turnstile to make it move. [...]

[...] Jane moved almost constantly while posing unwittingly, and I had to work very rapidly while at the same time being careful she didn’t look up at the studio windows on the second floor and see what I was doing.

[...] Jane was moving almost constantly as I sketched her, and her motions included many bodily twists and turns. [...]

(Now here, Jane told me later, she began moving into a different, hard-to-define, “strange” state of altered awareness. [...]

[...] He was moving into other selectivities. [...]

[...] He actively wants to move about here, inside and out. He is moving somewhat faster overall, and overall he is somewhat straighter, though not always. [...]

To some extent Ruburt is beginning to move in that direction now, in Psychic Politics—particularly with his codicils. [...]

[...] Physically his ideas of motion, however, moved from the house—highly important. [...]

[...] I can move faster and more surely in all areas of my life. [...]

[...] You can move sidewards in it, for example, as you do in space. [...]