“Seth material” search engine (Jane Roberts)

A follower of Hay Chi-Chu (my phonetic interpretation) who was a combination outcast-commander and merchant for the foreigners who lived in the mountains; an outpost to the northwest, where it snowed severely in the wintertime.

[...] A Manchurian encounter here, with hordes coming from another country some 50 years previous, their descendants still living in the mountain passes.

[...] Those legs now climb mountains, stride gigantic boulevards, because they followed their own impulsive shapes. [...]

[...] Even the planes of the face themselves can suggest mountains or valleys. [...] What kind (underlined) of landscape, desert or mountainous, and so forth?

(And: “Faith and belief can move mountains, as they say — but it can also cause natural catastrophes.”

(“The mountains have fallen fathoms into the sea, and still I am I,” wrote Jane in a poem when she’d been quite young.

[...] The lightning flashed silently followed several seconds later by distant rolling thunder, Seemingly coming from beyond the surrounding mountains.

[...] The artist would have to assemble mountains of rocks, an infinity, that is infinity of molecules, all equally impossible. [...]

[...] The artist may hint at time within his painting, but he cannot capture the physical eons that might be contained in the mountains themselves, which he wishes to reproduce.

[...] You form the roads, your method of travel, the hills or mountains or oceans, as well as the hills, farms, and villages of the self, or of the psyche, as you go along.

(9:15.) When in colonial times men and women traveled westward across the continent of North America, many of them took it on faith that the land did indeed continue beyond — for example — towering mountains. [...]

[...] A strong breeze kept whipping up the airy branches of the mountain ash outside the windows of 330, and the room began to cool down a bit.

[...] As there are different continents, islands, mountains, seas, and peninsulas, so the psyche takes various shapes. [...]

[...] A good breeze moved outside the windows of 330, making the new green leaves of the mountain ash tree dance. [...]

Juggling a
million million
atoms
all at once,
spinning them into
twirling cells of men
and whales,
tricky,
spinning solid mountains
from thin air,
with fish transformed
into flying birds —

Houses even in the country can have a closed quality if the mountains or trees press too closely. The land that you own is important, but the visible land that you do not own is also, and you should be in sight of a mountain or some open area, while still having a private “secret” area also.

(First, I was hiking with her father Del along mountain trails in very deep snow. [...]

[...] The “boxcar” episode represented his living at one level of physical experience, even while he also existed as the giant-sized self that peered over the mountain top and watched his progress. [...]

[...] When you attempt to hold them back, you build them up like mountains—and you form tornadoes within yourselves. [...]

([Florence:] “How can mountains be formed?”)

Whatever your language, you perceive trees, mountains, people, oceans. [...]

The physical world is dependent upon the relationship of everything from electrons to molecules, to mountains and oceans, from cultural organizations to private dreams, and in the scheme of reality these are all interwoven with exquisite order, spontaneity, and a logic beyond any with which you are familiar.

[...] In our last session I compared a year to a ledge on a mountain. [...]

[...] Any wildflower on our mountain ledge (see the 728th session) will view the valley below from its own perspective, and see stretched about it the environment with which it is familiar. [...]