“Seth material” search engine (Jane Roberts)

[...] Some of these can be used as models. [...]

(10:35.) Have Ruburt use last week as a basic model of operation, while adding to it. [...]

[...] To continue with our analogy, this cosmic sphere which we have imagined would be a model for every action.

[...] The whole idea of the body’s wearing down, as that is understood in your society, is based upon the idea of the body’s mechanistic model: energy is given at birth, and gradually wears down. [...]

[...] You will find all kinds of people that can serve as models for you. [...]

[...] But in the dream state, then as now, all such issues were contemporary, acting as models from which the species then chose the practical events that formed its physical experience.

(After supper this evening Jane read some notes I’d written recently, in which I speculated about why I paint portraits — my “heads,” as I call them — out of my “imagination,” instead of using live models of “real people.” [...]

[...] Remind yourself, again, of “Unknown’s” completed form, and if you do so its pattern will transpose itself upon your thoughts as you work, so that you will be tuning into its model in that respect.

[...] (Pause.) Ruburt is now far more willing to make certain changes in his life than he was earlier, and he sees himself more as one of a living congregation of creatures—less isolated than before, stripped down from the superperfect model, and therefore no more under the compulsion to live up to such a psychological bondage (all with some emphasis). [...]

As a result, you see in nature only what you want to see, and you provide yourselves with a pattern or model of nature that conforms with your beliefs.

[...] That representation is then used as a model upon which your civilizations are organized, and also as a perceptual tool through whose lens you interpret the private events of your life in their historical context.

[...] Our material is the best approximation, the best approximate model you can perceive of a vaster psychological field of existence. [...]

[...] You were interested not only in a painting, and the painting’s origin, but in your origin as an artist, and in all of those relationships that are involved between the perceiver and the object, that then is turned into the artist’s model. [...]

(9:27.) For centuries that is the main way in which man dealt with the events of his life or tribe or village.³ Your modern methods of communication are in fact modeled after your inner ones. [...]

[...] You will model for each other, and as you see him in your studio, so he will see you in his.

You do not realize often the extent of your own triumphs or the models that you are for others, or the light that you are to them. [...]

These drawings later were used as models by your early cavemen in the historical times to which you usually refer.

[...] Each individual is highly unique, however, so these models for behavior will vary. [...]

[...] I did these two without models. [...]

[...] These watch, keeping their memories and knowledge intact, and acting as directors, against whose memories the new models are formed. [...]