“Seth material” search engine (Jane Roberts)

It was to some extent aggravated by books telling of the experience of various mediums, and by what he has read concerning the attitude of parapsychologists toward them. [...]

[...] Personally he wouldn’t touch a medium with a ten-foot pole, but since they did exist and he knew of one, he felt duty-bound to “expose” his students to the phenomenon. [...]

As far as I can see, Seth’s reference to hypnosis had to do with the “training” undergone by some mediums in which hypnosis is used to initiate and stabilize the trance state, and occasionally to call forth the communications of “control” personalities. [...]

[...] They represent mediums in which action can occur. [...]

(Yes) c probert tm (yes) Roberts Jane, u are (yes) u are medium.

[...] (Pause at 10:08.) He received a book by mail today, a biography sort of book, having to do with a personality of the late 1800’s. A medium.

As a painter you use many mediums. [...]

Mediums try. [...]

[...] Do not limit yourself in any way whatsoever in terms of intent as far as subject matter, medium, technique. [...]

[...] When you thoroughly understand what is meant by the entire safe universe concept, then the physical, cultural climate is understood as a medium through which the ideal can be expressed—can be expressed. [...]

If you are a creator in those terms, you will use any society as a part of your medium. [...]

[...] The Robert Browning reference concerns a letter Dick received from someone [a medium?] who told him that he’d been Robert Browning in a previous life.

[...] The question of medium will end up as relatively unimportant.

[...] That “breakthrough” cannot be logically explained, but only compared to, say, an illumination — that is, a light everywhere occurring at once, that became a medium for life in your terms. [...]

[...] Distortion may be part of the message — or even the medium through which it must come.

[...] You may induce a medium trance in whatever way you choose. [...]

[...] Now think of the book’s production and everything connected with it as being part of the same kind of creative activity, but in an arena where events as you think of them become the medium. [...]

It is not simply that in Framework 2 there is no resistance to creative, fulfilling, natural, life-seeking desires, but that the medium of. [...]

[...] It is not, for example, the layer used by most mediums. [...]

(“I was thinking of trying to express myself in a different way, with a different medium.”)

[...] Often specific mediums of expression are concerned. [...]

[...] They maintain the body’s structure in your poised time only by manipulating themselves in a rich medium of probabilities. [...]

[...] Reincarnational selves are like leaves that have left the plant, choosing a new medium of existence. [...]