“Seth material” search engine (Jane Roberts)

[...] Generally speaking, creativity has feminine connotations in your society, while power has masculine connotations, and is largely thought of as destructive.

The Trinity concept in your terms was a masculine one, projecting to the one God concept the duality which all mankind feels, but because the theory originated with the male the duality is expressed in terms of the male viewpoint.

[...] Linguistically this leaves the female out in the cold — and in more ways than one — for the masculine intent is clear.

[...] These sexual beliefs are also far more important in national relationships than you realize, for you attempt to take what you think of as a masculine stance as a nation. [...]

[...] The snake was then—in your terms, now (underlined)—both a feminine and masculine symbol. [...]

2. Since from this point Seth uses the masculine pronouns “he” and “him” while discussing representatives of the race, I refer the reader to Note 5 for Session 696, in Section 3.

[...] They were highly acceptable masculine pursuits. [...]

[...] At the same time Seth’s voice began to grow deeper and stronger, with the masculine tones starting to creep in. [...]

[...] The deep masculine voice was to last for the entire session, becoming more and more Seth-like as the evening continued.

[...] Whereas I had not observed any changes in the first half of the session, I now thought her features lost some of their feminine characteristics and became more angular and drawn, as though a masculine presence was making itself seen deliberately. [...] I felt that possibly I was being observed by a masculine personality through the eyes, deliberately. [...]

With Ruburt’s consent however, and I have it, I could make such a blast of masculine voice that you would indeed be embarrassed when the neighbors complained (louder). It is to show my humorous consideration for your feelings that I do not so indulge (louder).

[...] Those same abilities are natural characteristics of people in each race, of course, yet you have consistently made the same kind of distinctions in racial terms as you have in sexual ones, so that certain races appear as feminine or masculine to you. [...]

Your own artistic abilities also brought up problems, since they seemed in your mind, unconsciously, more feminine than masculine.

[...] Jane said her impression of the woman in question was of a person more masculine than usual for a female, but she didn’t voice this during the session. [...]

(As we talked Jane said she got something additional from Seth—to the fact that my first cousin, Ruth Butts, was a masculine personality. [...]

[...] If you will forgive me, she was more a male than you were, in reality, and the Germans to you now still represent arrogant masculinity.

[...] The voice that spoke was deep, quite loud, more masculine than feminine.

[...] You may have to watch a tendency to masculinize your women if you seriously begin to do such work, for you may feel, again, that harsher lines are necessary to hold the emotional element in check.

[...] Are all stereotyped masculine men that way because they want to be that way, are they forced to hide certain feelings? [...]

(Tonight then, Jane manifested three different voices while in trance: the regular Seth voice, somewhat strong, very clear and concise, the one we are so used to; next the light and lilting voice with Jane’s own mannerisms overlying Seth who hovers just below; and finally the muffled, masculine old man’s voice, so different from any produced before this.)

[...] Loren must have a female reincarnation, even to give validity to his masculinity.

(Bill’s mother, who was also an arthritic cripple like Jane’s mother, was a very aggressive personality, a masculine one, who developed arthritis in order to lose her mobility and thus avoid harming Bill’s father and the children. [...]